Bido Lito! Issue 54 / April 2015 | Page 12

12 Bido Lito! April 2015 Words: Laura Coppin / @laaauuuwra Photography: John Johnson / johnjohnson-photography.com It goes without saying that a great deal can change in 25 years, and there are few bands that illustrate that more perfectly than Liverpool’s very own prog rock stalwarts ANATHEMA. Though you may not be intimately aware of the band's back catalogue (which stretches to ten studio albums, two live albums and four compilations), Anathema's huge worldwide popularity is something of a force of nature. The band have already completed a sold-out stadium tour of South America in 2015, which makes a run of shows at York Minster, Winchester Cathedral and our own Anglican Cathedral seem like a bit of a comedown. When the band took its first breaths in 1990 it was to make an ephemeral foray into the burgeoning British doom scene, alongside groups such as Paradise Lost and My Dying Bride. It was not just the sound but the line-up too that was a far cry from bidolito bidolito.co.uk what we know as Anathema today, originally featuring Darren White as the band’s vocalist. After only a year the band went through its first of several radical transformations, with Jamie Cavanagh leaving and being replaced by Duncan Patterson. Five years later it experienced its second overhaul, with White’s departure leading guitarist Vincent Cavanagh to step into the breach. It was at this point that the band began to explore melody in earnest, and the rest, as they say, is history. In 2015 Anathema are celebrating their 25th anniversary in style – playing not only a series of acoustic cathedral dates, but also embarking on their Resonance world tour (featuring the return of both Darren and Duncan) and releasing their Fine Days 1999-2004 CD box set. As I wait to speak to the band hours before the last date of their cathedral tour, standing beneath the Anglican Cathedral’s intricate, soaring masonry, it’s impossible not to feel awed by the band’s remarkable achievements. Despite their puzzling lack of notoriety in their home city, the show sold out far in advance – a nod perhaps to both the special nature of the show and just how long it has been since they last returned (in 2010 – a similarly sold-out, one-off charity show in aid of Alder Hey children’s hospital). It’s not long before Danny – the eldest Cavanagh brother and lead songwriter – emerges, himself looking equally awed by the sheer majesty of our surroundings. We skirt the stage, itself dwarfed before the cathedral organ’s colossal golden pipes, as we make our way up one of the many impressive stone staircases to begin our interview. The intensely emotional nature of Danny’s lyrics has always been a fascination to me, but it fe [