Bhunga: Inside & Out Final Craft doc | Page 40

The home’s interiors are attractive with flowing white clay walls that seem to merge into their furniture. The use of intricate motifs that glitter with mirrors renders an overall dazzling effect. The completely unique art form makes the homes a visual treat. Mattikaam is generally done by the women of the house. It is done for one time and stays forever unless it is removed manually. . The artisans of mattikaam are so experienced that they do not tend to draw any design or pattern on the wall before starting the work. They divide the area of the into halves with vertical and horizontal lines. According to these areal divisions the design is also intutively split into sections and the lippan kaam is done directly on the walls of houses. But before doing the mud work on wall, the wall is given a clay base and the surface is roughened upon which the mud work is carried away. MATERIALS for mud mirror work Initially it was camel dung or wild ass dung used for preparing the dough that is mixed with clay. Here dung is the main binding agent of dough. The clay used for this work is mud that has been sieved thoroughly to obtain the fine particles which blends easily with the other particles. Sometimes millet was used as an alternative to dung while the dung attracts termites but the husk does not. This Chikani Matti is from the Talavdi sand of marshland that is rich in salt content. Though the lippan kaam is of white color yet now a days the shades of red, green and blue are painted on the dried clay work. It is said that the use of Aabhla Mirror is to deflect the evil eye which can be overpowered by anything that dazzle and makes it blink. Bhunga Inside and out