Berkshire Magazine Fall 2026 | Page 32

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Speed, Structure, and Sound
Early grindcore and powerviolence were rooted in compression. Songs could last less than a minute. Blast beats accelerated the percussion almost beyond conventional rock rhythms; abrupt start-and-stop passages created violence through contrast.
The references were foundational names in extreme music— Napalm Death, Carcass, Infest, and Despise You among them— but Escuela Grind never remained musically purist for long.
Its first full-length album, Indoctrination, was recorded largely at home in Pittsfield and released in 2020, just as the pandemic stopped the touring world.“ The music is aggressive, and that’ s obvious on the outset,” Economou says,“ but it also has a groove and an upbeat element to it, too.” The fulllength records increasingly pulled those pieces back together. During the pandemic, the group wrote Memory Theater, expanding songs beyond the rapidfire lengths of its earlier material and becoming far more conscious of arrangement. The band began thinking in terms of peaks and valleys, like electronic dance music. A blast beat might supply acceleration. A pause could create suspense. A breakdown could provide release.
“ The peaks and valleys are really important,” Economou says.“ Everything’ s really intense, but we also put groove in.” Fuentes offers an even more economical description of his compositional priorities.“ I just think about how to make the crowd’ s head bang.”
That apparent simplicity conceals a significant change in the band’ s thinking. Escuela Grind had begun without imagining an audience at all. Sections that generated movement became information. Arrangements became increasingly intentional. Memory Theater also brought the band to Kurt Ballou, one of the most distinctive producers in modern heavy music.
“ We’ ve never heard ourselves done like that,” Economou says. The record became a major turning point. Opportunities expanded; tours accumulated. Escuela Grind began reaching into Europe by building a DIY tour around an appearance at the Czech Republic’ s Obscene Extreme festival. A performance video from that appearance eventually attracted the attention of the management behind English grindcore band Napalm Death— one of Escuela Grind’ s foundational influences— and they were invited to tour with them. The touring then intensified, with the band accepted opportunity after opportunity. In 2026, Escuela Grind played what Economou describes as its largest show yet, on a main stage at France’ s Hellfest. Closer to home, they are headlining the Back From The Dead Fest 5 at The Meadows in Brooklyn on Saturday, September 26.
30 // BERKSHIRE MAGAZINE Fall 2026