Baylor University Medical Center Proceedings April 2014, Volume 27, Number 2 | Page 102

MUSINGS ON MORTALITY Victor Brombert, a 90-yearold emeritus professor of literature at Yale and Princeton, who escaped Hitler and fought as a young American soldier on Omaha Beach, has written Musings on Mortality: From Tolstoy to Primo Levi, which examines how eight major 20th-century authors wrote about death (15). Since physicians face the end of life rather frequently with their patients and themselves, the book may be of interest. It includes the thoughts regarding this topic of Leo Tolstoy (The Death of Ivan Ilych); Thomas Mann (Death in Venice, The Magic Mountain, Mario and the Magician); Franz Kafka (The Death Journey in the Everlasting Present); Virginia Woolf (To the Lighthouse, Between the Acts, Jacob’s Room, Mrs. Dalloway, The Waves, The Years, The Common Reader, A Room of One’s Own, Orlando, Elegy); Albert Camus (The Stranger, The Plague, The First Man, A Happy Death, Nuptials, The Myth of Sisyphus, The Wind of Djémila, The Fall, The Exile and the Kingdom); Giorgio Basani (The Garden of the Finzi-Continis, The Gold-Rimmed Spectacles, Five Stories of Ferrara, The Heron, “The Cardplayers”); J. M. Coetzee (Waiting for the Barbarians, Boyhood, Elizabeth Costello, Dusklands, In the Heart of the Country, Slow Man, The Good Soldier, Foe, Youth, Age of Iron, Disgrace, The Master of Petersburg); and Primo Levi (The Search for Roots, The Wrench, The Periodic Table, The Sixth Day, The Drowned and the Saved, Lager, Survival in Auschwitz, If Not Now, When?, The Truce, If This Is a Man). In the epilogue, Brombert emphasizes that Musings on Mortality is not to be mistaken for meditations on death or obsessions with it. Confronting mortality implies being alive, questioning how to live, or raising moral issues. He affirms that the need to live fully is “prompted by the recurrent sense of the transitory and the perishable.” Thus, he stresses that we should savor whatever hours we are granted, for soon enough the eternal barman will announce with finality the last call. THE PASSENGER PIGEON Joel Greenberg has written A Feathered River Across the Sky about the disappearance of the passenger pigeon (16). Two hundred years ago, the passenger pigeon was one of North America’s greatest natural wonders. One hundred years later it was gone, as lost as the dinosaurs. Greenberg’s book tells the sad story of how this singular species, once the most numerous bird on the planet, became extinct. The passenger pigeon, a relative of the common 176 city pigeon, but larger and more brightly colored with a long tail, once flew in America’s skies in flocks of astonishing size. Around 1860, an English naturalist visiting the US wrote: Early in the morning . . . I was perfectly amazed to behold the air filled, the sun obscured by millions of pigeons . . . in a vast mass a mile or more in breadth, and stretching before and behind as far as the eye could reach. . . . It was late afternoon before any decrease in the mass was perceptible. . . . The column (allowing a probable velocity of sixty miles an hour) could not have been less than 300 miles in length. That suggests there were more than 3.7 billion birds in that flock—only a portion of the entire continental population. This report was not an outlier. Such distinguished ornithologists as Alexander Wilson and John James Audubon reported similar sightings, as did many others. But, on September 1, 1914, Martha, a denizen of the Cincinnati Zoo, was found dead in her cage. She was the last of her kind. Stuffed and mounted, she is in the Smithsonian, although not currently on display. What could have driven a bird so abundant as to blot out the sun into extinction in only half a century? Joel Greenberg makes clear it was the combination of three factors: the species’ peculiar nesting habits, the Industrial Revolution, and human ignorance. The passenger pigeon was a child of the once vast eastern North American forest, a forest that stretched unbroken from the Atlantic to well past the Mississippi River. The nut trees of this forest, such as oak and beech, produced mast in prodigious quantities, which animals like the passenger pigeon would feed on, but mast is produced irregularly. One year in one area there is a bumper crop; the next year that area will likely produce next to none. So passenger pigeons not only migrated in mass numbers, they also nestled that way, flocking to an area where lots of mast had been produced the previous fall. These nesting areas could themselves be almost unimaginably huge. One in Wisconsin in 1872 covered 850 square miles of forest. A single tree might contain a hundred nesting pairs or more. Some observers reported trees with as many as 600 nests. In the morning, the males would leave the nesting area to forage, returning at midday, when the females would leave. About 2 weeks after the eggs hatched, the adults abandoned the well-fed, indeed roly-poly squabs, who would flutter down to the ground and begin feeding for themselves. After a few days they would be strong enough to fly away. Mass nesting in unpredictable locations was an effective reproductive strategy for the passenger pigeon as a species. Predators who happened to be nearby would have a field day, but with so many pigeons and squabs, they could hardly make a dent in the total numbers. Even in the early days of European settlement, when settlers armed with shotguns discovered they could bring down a dozen or more pigeons with a single blast, human hunters weren’t numerous enough to be a threat to the birds. But in the 19th century, the burgeoning population of the US surged westward, and the forest was increasingly turned to farmland. The big eastern cities, growi