Bassculture Islands No 4 | Page 72

With four successfully released studio albums and outstanding performances on major European festivals and venues Ziggi Recado proves once and for all that he is amongst the top reggae acts. We caught up with Ziggi in Amsterdam and talked about his Caribbean home, Statia. We went back to times when he recorded his latest album “Therapeutic” and spoke about his plans for 2015. Lately you spent a lot of time in St. Eustatius, the place where you grew up. Tell us a bit about this island. What is your favorite place to hang out? Best beach? Why do you like to go back there? Statia is one of the smallest islands in the Caribbean with a population of about 3500. It’s generally a very laid back, easy going place. I have some close friends there from the time I grew up and we hang out at different spots. I think hanging out is more about the company than the location. Best beach is probably the one generally used for swimming. There’s one beach on the island where the population actually swims. The beach has black volcanic sand, very different than white beaches you might be used to seeing on pictures. Having lived there it’s always sweet to go back. To connect with people I might not have seen in many years and to see where the island is at now in terms of development… In May 2014 you released an album “Therapeutic”, is this album completely a result of your stay on the island? How did island life influence your creativity? One of the main purposes of my trip there was to record this album. I went there prepared to do that, and with no other obligations on the island my life was about that album for those months. It was a completely different way to work in the sense that for the first time I would wake up every day and the only thing on my agenda would be to make music. So I started creating every day. Got into a great flow and was able to record the bulk of the album within the first two months. It’s obviously a different vibe sitting in the yard, in the sun, vibesing with some brethren about a track as opposed to being locked in a studio in Amsterdam. Personally though I think the biggest thing was having that time to devote entirely to music. In Europe where I live I’d have my regular life going on, shows, two kids etc. So I have to plan when I can actually make time to work. When I was in Statia I was ONLY doing that. Walk us through your day on the island. Where did you record music? Who are the people you worked with? I’d get up late morning. Have breakfast. Head to a friend of mine’s spot ’Bigs’. I created most stuff at his place. We’d vibe there from midafternoon till (continue)