Bassculture Islands No 4 | Page 107

they went viral. Pothound even made it to the finals of the 2012 Vimeo Awards in the narrative category. Why did you decide to distribute the films through this platform? The choice was heavily influenced by money. It really adds up, distributing through film festivals trying to get your work seen by the right person. A lot of films get lost trying to do the festival route and are shelved from the greater public for years much to their detriment. So we took a shot just putting it out there for the world or no one to see. The content appealed to many and the films got traction and were a hit on Vimeo and other social media. They even got pirated on YT, countless Asian websites, torrents for christ sakes. But what it came down to is that we got recognition and work from the exposure, which I think is the point of short films distribution anyway. I still do think the festival circuit is better if you have an extremely refined masterpiece on your hands, but for us now starting up, it was the way to go. You are currently working on your fourth short film, Fade to Black. What is it about and when can we expect it to be released? Also, you have specialized in making short films, do you have any plans in store to make a feature-length movie? Fade to Black is about aging, memories and love and will be out this year. I consider making short films as a stepping stone. There is a feature-length movie in the works. A very special story that is uniquely Caribbean. Just wait and see!.