AV News Magazine | страница 38

AV News 178 - November 2009 Reply to Brain Harvey and Melanie Chalk from Peter Brown, Chairman National AV Championship Brian Harvey - The NAVC organising committee took the agonising decision to make a pre-selection of the entries, when we realised that it would be impossible to fit the 73 entered sequences into our time schedule. We needed to reduce the overall time down to approx 8 3/4 hours with only allowing 1 minute between sequences. The time span between close of entries and the event did not allow us to arrange for a pre-selection jury to be arranged. Therefore with the experience of the committee in AV being extensive, we took the decision that we would undertake pre-selection ourselves. The entered sequences were projected and discussed with the prime object of keeping the standard as high as possible; this is after all the National Championships. When we had drawn up a 'short list' these were looked at again this time by consultation with the entry form. The Nationals is not only for individuals, there are also club and federation championships at stake. Therefore we were careful not to remove any entry that could affect these. Mr Harvey was the only entrant not a member of a club. We also took into account whether the entrant would be attending the championship. Just because a sequence has won an accolade at a previous event does not mean that it will score at another with different judges. Those of us with this experience know only too well this can happen. The entries that I myself returned had a letter of explanation enclosed, and to show some consolation we returned the entry fee in full. They will also be sent a programme and a result sheet. Melainie Chalk did not send an entry to the recent Nationals, but the Nationals entry form contains her query, so I may as well answer for AV News. The entry forms are not usually looked at by the jury unless requested. However the organiser has to be extremely careful in projection of entries because of the copyright laws. That is why many events request details of where and what sounds used came from and also details of the licenses to record held by the author. The rules also contain a disclaimer. The amount of photography or other work undertaken by the author is not usually taken into consideration. However if a