AV News Magazine | Página 26

AV News 177 - August 2009 Sunday 6th December, 10.00am - RPS NW AV Day. The RPS AV Day on Sunday will be all about learning and entertaining, focusing on the Essential Components of an AV Sequence. The proceedings will start at 10am with Attenders' Sequences and comments from our guest speakers and members of the audience. This is an invaluable way to obtain advice and for everyone to learn how their work might be improved. There will also be room for authors who want to entertain us without receiving feedback. Sequences which have been entered in Saturday's competition will not be shown again on Sunday. Attendees are encouraged to show work for comment first, then they have the opportunity to make improvements before entering competitions. Sequences will be shown on a "first come, first served" basis, so please book in advance. Our guest speakers will include Eddie Spence FRPS AV-AFIAP, who will give us an insight on the key ingredients of his popular sequences, Maureen Albright ARPS DPAGB and Phil Barker ARPS, who will focus on the importance of music. We aim to finish around 5pm to give visitors from outside the North West time to travel home. Tea, coffee and home-made cake are included in the admission charges on Saturday and Sunday, lunch is available if pre-booked, or you can bring your own sandwiches. We try to make the event as friendly as possible by providing name badges and including time for socialising and browsing. Isadora’s Legacy E d d ie S p e n c e FRPS AV-AFIAP The desire for making the sequence was inspired by another passion of mine. Janet and I were members of the Swarovski Crystal Special Edition Society and we collected their Special Edition pieces when they became available each year. Some times the Swarovski Designers create a theme, which can run over three years featuring a trilogy of different elements of the theme each year. One such theme was "Dance" and Isadora Duncan was one of the dancers in the trilogy. As members of the society we received a quarterly magazine, which gave lots of background information on the various pieces, especially Isadora. I found the story of Isadora's life very interesting but rather concise. I began searching the Internet for more information and eventually purchased an excellent biography (A Sensational Life) by "Peter Kurth" from Amazon. There are lots of conflicting articles written about Isadora but I chose to accept Peter Kurth's version as the most plausible. Obviously there will be some embellishment here and there and the script I adapted from these readings was as valid as I could make it. Page 24