AV News Magazine | Page 9

AV News 196 - May 2014 From its inception in the early 1970s, the panel responsible for RPS distinctions in audio visual has been at the forefront of change in the way in which distinctions are assessed. It was the first panel to allow observers, the first to hold regional meetings and the first to have direct feedback on the day between panel members and applicants. Its latest incarnation; the Multimedia Panel is continuing this tradition. One of the frustrations that long affected observers at AV assessment meetings was the 'dead period' when the panel was out of the room making its deliberations. The Multimedia Panel's operation has been brought into line with all of the other RPS panels, so far as Licentiateship and Associateship applications are concerned, in that the showing of work and the decision making process are now both in public. This is undoubtedly a beneficial change for both applicants on the day and those considering making a submission, since they can gain a clearer understanding of the process and the relative strengths and weaknesses of the various applications. It also allows a useful insight into the panel's discussions and the chance to observe that the panel members don't always agree with one another, which, after all, is the purpose of having a panel! The other significant change that has come about is that AV applications are now assessed alongside those in moving image and interactive media and the makeup of the panel membership reflects this broader remit. Some AV traditionalists may be uneasy that this change might mean that AV applications are somehow disadvantaged as compared to the previous arrangements. From my own observations, I don't think this is the case at all. In fact, not only does traditional AV have a very good representation on the Multimedia Panel, but I have never detected any sense in which the individual members regard themselves as 'AV people' or 'video people' or any other allegiance when making their assessments. We are all there to come to a decision on the work put in front of us in whatever medium, based on our own experience. The RPS has devoted a tremendous amount of energy and resources into trying to make the arrangements for multimedia applications as flexible and as fair as possible. I do hope that we will see more submissions from the AV community as time goes on. The opportunity is certainly there. Richard Brown FRPS APAGB EFIAP FIPF Page 7