AV News Magazine | Page 21

AV News 175 - February 2009 It would seem that there were some 90 plus sequences entered for the Festival but only 71 made it into the competition. Some of these entries were by authors making their first time submission to such a competition and yet they, along with others, were rejected in the "pre-selection" process whilst other authors had more than one sequence accepted. This was obviously due to time constraints particularly as the evening sessions of previous Festivals were no longer included (good decision, not the best time to concentrate following a large meal!). However, it would be helpful to know the basis of the "pre-selection" process. Secondly, there was some surprise many of the sequences had been seen before. This may due to too few AV workers or too many competitions. Never the less it was good to see all of the sequences presented. Thirdly, and perhaps the most controversial, why is it that the winner of the audience vote is seldom judged as the winner of a competition? This may be explained if the audience has little or no knowledge of things audio-visual. However, when a gathering possessing considerable corporate experience and knowledge of AV fails to select winning sequences perhaps this is a question it is permitted to ask. Finally, thank goodness, I hear you say, did I enjoy the weekend? Yes, thoroughly. Did I learn anything? Yes, by watching excellent sequences and mixing with the Who's Who in the AV world and chatting with other like minded folk. Will I attend this and other Festivals in the future? Yes, I hope to. So much to learn, such great people always happy to help. Would I recommend the RPS and other AV events to others? Yes, get involved, produce the sequences, enjoy the atmosphere. I look forward to seeing you there! A big thank you to all involved in organising and presenting a truly superb weekend. AV Museum Colin Balls FRPS Two issues ago I reported that I was setting up an AV museum within the British Commercial Vehicle Museum at Leyland, Lancashire. I also asked for any donations relevant to the subject. I am pleased to report that I have received a number of donations of equipment ranging from one of the very first Kodak Carousels (from Ian Gee) to various control units and Royale Systems! I should have thanked everybody personally, but in case anybody has been missed I make a public thank you! We have made some large containers for the equipment and are now starting on the illustrative aspects. We are hoping to include interactive touch screen VDUs that will explain how the equipment was used. If you have any items yo ԁѡ