AV News Magazine | Page 35

AV News 201 - August 2015 We had encouraged Photo Harmony applications. In the event most of the applications were in the narrative AV category. The PAGB Executive had made it clear that a competent standard of photography was required. Most of the unsuccessful applications fell down in this respect, although there were other contributing factors in some cases. There is clearly a demand for AV awards in the UK photographic club scene. There are very few specialist AV clubs, so clearly this is where the bulk of the market lies. The RPS is going to have to reconsider its approach. The RPS AV Panel was disbanded and replaced by the Multimedia Panel (previously Multimedia and Narrative Panel). The filmmakers do not really operate in this milieu, operating in their own fields, both amateur and professional. This factor will now be taken on board. In the meantime I would encourage AV producers to apply for RPS Distinctions at all levels. The next assessment is on 31 October. T h e P A G B P re s id e n t’s V ie w Roy Thomas APAGB Hon FWPF It was nice, in May, to attend the first APM in AV that the PAGB has held in a while. New rules have been developed, following the long 'conversation' that was held between the PAGB and many interested parties. The conversation was organised and conducted by Tony Riley and then by Rod Wheelans and the event finally came together under the guidance of the APM Sub Committee. I can only say that the event showed that the whole effort was worthwhile. Time was taken by Rod with the Adjudicators to explain our thinking and he also introduced the theme to the 80+ people who attended. The Adjudicators were sympathetically chaired by Robert Albright and his experience and insights were invaluable. Following each AV entry, usually two or more sequences, Robert asked the individual judges to pass their comments, choosing a judge to represent a positive and negative vote where necessary; these comments were made publicly to the whole audience but were intended as a method of communication between the judges prior to the final decision being made. Comments were very erudite and mostly positive but pointing out, where necessary, any issues with the sequences that had just been viewed. Everybody who attended seemed to enjoy the event and I heard many positive comments. I am not an AV aficionado but the 50% pass rate looked just about right to me. I want to thank all those that organised the event Rod, Leo Rich and PAGB Vice President, Gordon Jenkins. Special thanks goes to Ian Bateman and members of the Wantage Club together with Robert Albright and his team of adjudicators - Howard Bagshaw, Martin Fry, Richard Speirs and Paul Keene, the whole thing ran smoothly and effectively. Page 33