AV News Magazine | Page 14

AV News 191 - February 2013 RPS AV Day and Chariots of Fire at Bradford Media Museum on 18 November 2012 Edmund Spavin Following registration and coffee from 10am we made a prompt start on the top floor conference room. Wide and narrow, perhaps not the best shape for viewing AVs, but easily accommodating our 40 or so attendees, it does enjoy a central location in Bradford, with good, though slow, catering facilities and excellent free parking on Sundays. Bryan Stubbs welcomed everyone and Keith Scott took on the role of the morning's moderator and timekeeper for the 7 attendee sequences. First up was ‘Tockett's Mill’ from Peter Appleton. This is a guide for visitors to a water-powered corn mill prior to a tour of the mill workings. Thoroughly professional and Picture by Phil Hack LRPS perfect for the job for which it was intended. Peter skilfully integrated stills, animated diagrams and video sequences into a smoothly flowing whole. The video shots were there only where needed to bring to life water or moving machinery and were in no way intrusive. The voice-over commentary was to the point and clear over a low level of ambient location sounds which added to the illusion of being there. Apart from a comment that using the on-site illumination meant that some interior shots were ‘flat’ there seemed little else to fault. A superb instructional AV. Next came ‘Torch’ from Harry Kingman depicting the Olympic Torch Relay. Set to a musical soundtrack without commentary it followed the progress of the torch through Pickering from the viewpoint of both the torch bearers and the watching crowd, with good reaction shots of participants and spectators alike. Harry was praised for having made an AV which was valuable as an historical record of the event. It was suggested that copies should be lodged in local libraries and schools for community viewing. Third was my sequence, ‘Searching for Meg’, a journey on the Settle Carlisle railway to observe the winter solstice at the Long Meg stone circle near Penrith. There's always a ‘heart in mouth’ feeling when one's own work is exposed in front of a prestigious audience of such experienced AV workers and national and international award winners. I need not have worried. Under Keith Scott's direction the criticisms were constructive and helpful. I shall take note of them. I was encouraged by the warm reception to my sequence and pleased by how quickly this experienced audience saw immediately what I was trying to achieve, offering suggestions as to its improvement, and which continued into the coffee break on an individual basis. Very helpful and most encouraging to a relative newcomer, but this is what an AV day is all about. Page 12