DISTRIBUTION
November 2018
He tells APB: “Fibre is really agnostic.
It can take in that high-bandwidth data at
one end, and receive and decode it at the
other. There is a strong value proposition
in the role that fibre transport can play in
managing these data rates in an IP world.
“Although fibre has the bandwidth to
accommodate 4K/UHD, 8K and HDR,
their higher data rates translate to shorter
distances. MultiDyne has been expanding
its range of repeaters for 12G single-link
transport, which cannot replicate the same
distance that a 3G quad-link architecture
can achieve.”
At IBC2018, MultiDyne unveiled its
next-generation SilverBULLET series.
The miniature, fibre-optic link and signal
conversion solution features interlocked
mounting, centralised power and built-
in OLED monitoring that enhance ease
of use and systems management. The
SilverBULLET series is packed with 12G
capabilities for high-bandwidth, single-link
transport to and from any video source.
“12G is now a reality; it is no longer a
buzzword,” Jachetta claims. “Whereas 3G
took a while to catch on, 12G was more
immediate. The cumbersome elements
of moving four signals as a quad-link are
eliminated. They have been replaced with
the distance limitations of 12G, a problem
we are already prepared to solve within our
current product range.”
Other features packed within the
SilverBULLET include built-in cable equali-
sation and re-clocking, optimise signal
integrity across all short- and long-distance
transport, removing the presence of jitter
from existing signals. The product’s inte-
grated OLED monitoring further provides
readings on jitter rates, signal type and
optimal power, among others.
The daisy-chained mounting options
and centralised power are key differentiators
from previous SilverBULLET generations,
according to Jachetta. At only three inches
in length, the SilverBULLET connects to the
back of the camera, monitor or other video
source, with the ability to add more units
with additional cabling, he adds.
“SilverBULLET makes it simple for users
to attach and detach multiple units to meet
the needs of any production,” he says. “A
camera operator with four stereo outputs
can daisy-chain four units together, and sup-
port multi-channel production off a single,
self-contained power supply. It can scale
much larger from there, without requiring
multiple wall warts to power the devices.”
The SilverBULLET is also available with
a 1RU tray to house up to 24 devices, allow
ing the product to be deployed for fixed
broadcast and production studio require-
ments, along with its portable applications
in sports production, remote camera links,
pre-fibred venues and interconnects for
mobile production trucks.
Another company supporting 12G-SDI
technology is Canare, which is offering the
BCP-D series under its 12G-SDI product
portfolio. The BCP-D series is SMPTE ST
2082-1-compliant, and is capable of man
aging 4K/UHD signals.
Canare has also developed the L-CUHD
series of coaxial cables. The flagship model
of the L-CUHD series is the L-5.5CUHD,
which is designed to transmit 12G-SDI sig-
nals over a distance of 100m. Other members
19
The agreement between Optical
Cable Corporation (OCC)
and Argosy encompasses
the former to supply
its bulk cable to the
latter, which has
the facilities to add
connectors and cables to
the specific requirements
of broadcasters and touring
show production companies.
❝ Fibre will not replace copper in the
short- to medium-term because copper
will have its place, and the choice is
application driven. ❞
Under its 12G-SDI product portfolio, Canare has
included the BCP-D series, which is SMPTE ST
2082-1-compliant, and is able to manage 4K/UHD
signals.
of the L-CUHD series are the L-3.3CUHD
and L-8CUHD, which feature a diameter of
5.5mm and 11.1mm respectively.
Additionally, the company has been in
close collaboration with Japanese public
broadcaster NHK, supporting the network’s
TV productions with its cables and con-
nectors.
Jun-Ichiro Ohno, president of Canare
Electric, says: “Playout and studio instal-
lations are definitely going in the direction
of IP. File-based transmission, IP routing
and monitoring are the basic technologies
at every TV station or playout centre, and
have been for many years.
“Mobile production, on the other hand,
is still using broadband technology, and
there are plenty of 3G-SDI OB trucks all over
the world. Even the new 12G-SDI 4K/UHD
trucks still employ a lot of copper cables.”
For Argosy, the company recently signed
a deal with Optical Cable Corporation
(OCC), a supplier of fibre cable assemblies.
Under this agreement, OCC will supply
multi-channel cables, with as many as 48
fibres in a flexible but rugged jacket.
Argosy, which owns extensive clean
room facilities, will cut the cable to length
and add protective connectors and cable
reels. The resulting assemblies can be run
in location and provide resilience to the
elements, and to heavy vehicles driving
over the cables — as is typical in OB envi-
ronments.
Earlier this year, Argosy also entered
into a strategic partnership with Barnfind
Technologies, which sees the former add-
ing the BarnMini range of fibre converters
to its inventory.
Chris Smeeton, managing director of
Argosy, explains: “The advantage of the
BarnMini range is that they just work —
they are plug, play and forget. No need to
monitor or manage, just put them in the
signal path and they will perform. This is a
particular bonus in some of the large-scale
AV installations we are now collaborating
on, and which will be expected to run un
attended once installed.”
The BarnMini range is based on a
compact device, which provides conver-
sion, particularly between fibre and copper
cables. Another feature of the range is that
additional functionality can be implemented
by the use of SFPs.
Josh Simons, director at Argosy, adds:
“Fibre will not replace copper in the short-
to medium-term anyway. Copper has its
— Josh Simons,
Director, Argosy
place, and the choice is application-driven.
“The crux of the problem is balancing
the equation of bandwidth over distance
because copper simply cannot manage long
distances. Broadcasters need to ask what
they can achieve with copper, and if they
can achieve it better with fibre.”
He gives an example where copper is able
to perform with some applications, such as
when a studio and gallery are located next to
each other. But for other applications, such
as where two OB trucks are unable to be
parked close together, he suggests employ-
ing fibre as the cabling choice, as it offers
robustness and a longer run length.
Simons continues: “There will always be
a space for copper in broadcast, where legacy
systems must integrate with newer systems.
Even if the predominant infrastructure is
fibre, the peripherals are likely to require
copper connections. Therefore, the ability to
convert on and off copper is crucial.
“Additionally, broadcasters are placing
more data through fibre, and can now use
it in dynamic mode, with multiple ways of
sending a variety of signals down that fibre
pipe. A 100Gb fibre pipe can handle up to 16
channels, for example, and I think it is safe
to say that a single signal in the broadcast
field would not exceed the capacity of a
single-mode fibre connection in this day
and age.”
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