Asia-Pacific Broadcasting (APB) November 2017 Volume 34, Issue 9 | Page 21

DISTRIBUTION November 2017 On the contrary, he sees little interest in Europe for 4K/UHD, where most European broadcasters have only recently completed the transition to HD. “Moving to 4K/UHD would mean a multi-billion-dollar write-off, which is an impossible prospect for many when looking at the changing landscape of linear TV viewing and degrading adver- tisement revenues. Therefore, we do not see much interest in 4K/UHD instalments, except for sports channels such as Sky Sports, who utilises a subscription model,” Bais concludes. In the contribution market, Mobile Viewpoint also sees a growing demand for remote production — both live and using proxy files editing. “For live, we see a re- quirement for multi-camera set-ups and re- mote control of the cameras,” Bais explains. “Production teams are looking for wireless solutions that allow them to encode multiple streams and bring both tally, intercom and return picture from the studio.” The main use cases for these, he says, are smaller, Tier B sports events such as hockey, but also normal productions when there is a need to reduce cost. Bringing multiple camera feeds back to the studio, for instance, saves both on personnel and eliminates the need for OB vans on-site. The proxy file editing concept, mean- while, is well known to Sony, who integrated this as a feature in the company’s cameras, and in combination with Avid and Adobe support, it is possible to create edits based on low-resolution proxy files, Bais points out. “Using a wired or wireless connection, it is possible to download the high-res file from the Sony camera or just from the XDCAM disk. We see many customers ap- preciating this solution and encouraging us to implement the same concept using our bonded WMT video transmitters,” he adds. To support its coverage of the Winter Olympics in Pyeongchang, South Korea next February, as well as the Commonwealth Games in the Gold Coast, Australia next April, NEP UK has placed an order for IMT Vislink’s HCAM 4K/UHD, H E VC / H . 2 6 5 c a m e r a transmitters, which are also equipped with IMT Vislink’s FocalPoint camera control system. James Walton, president Michel Bais, CEO, Mobile Viewpoint, believes that Asian countries such as South Korea and China have much more potential for 4K/UHD than in Europe. 21 IMT Vislink’s wireless camera transmission solutions include the MicroLite 2 transmitter, which features HD/SD-SDI and HDMI inputs with COFDM transmission, and the INCAM-G wireless camera transmitter, which is built into the Grass Valley LDX series HD camera.” of IMT and head of all IMT and Vislink business operations outside of the Americas, says: “This commitment from NEP further solidifies our relationship, and continues to highlight the market confidence in the HCAM with pre-orders now exceeding US$2 million. I’m delighted with our pro- gress and how our relationship with NEP continues to grow globally.” Unveiled at the 2017 NAB Show, the HCAM supports applications such as elec- tronic newsgathering (ENG) and sports broadcasts. According to IMT Vislink, the HCAM can be easily mounted onto broad- cast cameras, ENG cameras and prosumer cameras through its “highly flexible” and configurable mounting options. It offers features such as interchangeable and future-proof dual SFP modules that support quad 3/6/12G-SDI/HDMI/fibre optic/SMPTE 2022-6 HD-SDI over IP inter- faces, as well as Wi-Fi and Bluetooth control via dedicated Android and iOS applications. Besides the HCAM, IMT Vislink also offers a range of wireless camera transmis- sion solutions, including the new MicroLite 2 HD ultra-compact COFDM wireless video transmitter. Recommended by the company for broadcast applications where high-qual- ity live streaming video is needed, the MicroLite 2 transmitter features HD/SD- SDI and HDMI inputs with COFDM transmission, and delivers up to 250mW of power. John Payne IV, presi- dent of IMT USA, says: “With the MicroLite 2, broadcast professionals are able to transmit high- definition video within a small form factor while uti- lising its lightweight design for Steadicam operations, event coverage, confidence monitoring, Web content programming, rental hous- es and drone use.” Other offerings from IMT Vislink include the IMTDragonFly transmit- ter, designed to capture real-time, high-quality video from UAV/unmanned ground vehicle (UGV)/body cams/ concealments for display on Capable of delivering 50/60fps 4K/UHD video quality from the field using 4G bonding technology, the WMT UltraLink is also equipped with 2x6G and 12G inputs, as well as support for both HEVC/H.265 and H.264 encoding. fixed or mobile receive applications. The transmitter features HD/SD-SDI or optional HDMI inputs with COFDM transmission in a small, lightweight chassis. It is also ca- pable of delivering up to 100mW of power in a package weighing less than 1.2 ounces (34g), thus providing long-range, reliable HD video transmission, says IMT Vislink. Built into the Grass Valley LDX series HD camera, the INCAM-G wireless cam- era transmitter provides full HD broadcast encoding at 1080p, 1080i and 720p, as well as built-in wireless camera control. The INCAM-G also provides ultra-low delay down to 20ms H.264 and a full configuration available via Windows PC software. And to provide even more efficiency in the field, IMT Vislink offers the DR3 IP diversity receiv