Asia-Pacific Broadcasting (APB) November 2016 Volume 33, Issue 10 | Page 4

BE A PART OF OUR COMMUNITY. contents www.apb-news.com November 2016 (volume 33 issue 10) JOIN US! 14 18 Find us in Facebook www.facebook.com/APBnews Network with us at LinkedIn www.linkedin.com/company/ asia-pacific-broadcasting 24 Irdeto’s Godert Burghard Netflix’s Chris Fetner 22 Verimatrix’s Petr Pet erka Get Twitter updates www.twitter.com/APB_News News & Views 6 VIEW FROM THE TOP: Live IP: A practical view The European Broadcasting Union’s (EBU) Willem Vermost and Felix Poulin discuss the transition to IP, drawing from the experiences of the LiveIP Project. 11 EVENTS: Review of APSCC 2016; and Calendar of Events 2016/17. Creation 14 FEATURE: Production accessories getting more cutting-edge as content market grows Camera accessories such as power sources, lighting and supports now have features that would enable content producers to create more compelling visual offerings for broadcast and cinemas. 17 End-to-end Blackmagic Design production workflow speeds up Anne’s Kitchen’s comeback Blackmagic Design gear including the URSA Mini 4.6K and Micro Studio Camera 4K were used to produce season three of Anne’s Kitchen. Management 33 years 18 FEATURE: Stay relevant to garner audience retention Evolving from an initial role of station identification to today’s need to communicate with audiences, the concept of channel branding continues to change to adapt to consumption habits across multiple devices. 21 StorNext drives collaborative edit workflow for three MNC Group TV stations Kuswandi Aslan, head of Integrated IT Broadcast at MNC Media, explains how Quantum’s StorNext shared storage system creates a collaborative edit workflow for MNC’s TV stations. Distribution 22 FEATURE: DTH still main delivery platform in Asia-Pacific As the most effective content delivery platform in Asia-Pacific, DTH, as yet, has no peers, despite viewing habits gravitating to multi-screen consumption. X-Platform 24 FEATURE: Is OTT the leading platform for 4K/UHD content delivery? While 4K/UHD content is only available in selected countries in regions such as Asia due to issues such as bandwidth availablilty and security, some OTT service providers have pushed to the forefront in providing 4K/UHD and HDR content. 26 Catching up and winning the content race Barry Hartman, product director at Ooyala, details how video supply chain management has become an essential means to support the process of content creation, production and video syndication.