Asia-Pacific Broadcasting (APB) March 2018 Volume 35, Issue 2 | Page 16

16 Signiant receives cybersecurity recognition from DPP Signiant has received the ‘Committed to Security’ mark from the Digital Production Partnership (DPP), demonstrating its ongoing commitment to cybersecurity practices for both production and broadcast environments. Launched in October 2017, the DPP’s Committed to Security Programme is designed to help suppliers demonstrate their commitment to security practices, and offers a common framework that showcases to their customers their ability in addressing cybersecurity. Ian Hamilton, CTO of Signiant, added: “A strong understanding of the ever-evolving threats enables us to effectively apply appropriate security functions, such as authentication, authorisation, data integrity, data confidentially and non-repudiation.” TMD partners Mediaproxy for fast access to large compliance archives TMD has collaborated with Mediaproxy to create a “practical and efficient” integrated content management workflow solution. As a developer of compliance recording systems for broadcasters worldwide, Mediaproxy’s technology supports recording of extended content, such as sports events and legislative proceedings. Moreover, the partnership with TMD will allow content, typically off-air programme recordings and metadata captured by Mediaproxy LogServer, to be automatically added to the TMD Mediaflex-UMS database. Next Issue @ Management Content Security Solutions PANELLISTS Fintan Mc Kiernan CEO Ideal Systems South-east Asia Patrick So Regional Manager Asia Pacific Magna Systems & Engineering March 2018 Managing evolving digital disruption Following the emergence of over-the-top (OTT) and video-on-demand (VoD) services, media companies are engaged in a race to get their content quickly delivered across multiple platforms and devices. Josephine Tan finds out more on how different storage approaches enable them to retrieve content rapidly, accelerating time to market. T hree transformational elements — the democratisation of content creation, the rise of mobile devices, and the ex- pectations for on-demand services — have arisen as a result of the transition away from film to digital media. And in the digital era of media and entertain- ment, media companies ought to look towards technology not as a new op- portunity, but as a “necessary engine” of the media industry, where success is often decided by how efficiently that engine can be leveraged, Scott Sinclair, senior analyst of Enterprise Strategy Group (ESG), suggests in the Dell EMC: Enabling the Digital Era in Media and Entertainment white paper. With the transformation to digital, the media and entertainment industry has become a technology industry built upon digital products, digital workflows and digital-based econom- ics, Sinclair adds. “Understanding how to build a framework for success in this digital era requires internalising three core concepts: Data has mass, data is more costly to move than to store, and advances in IT innovation have shifted the cost paradigm.” As the media industry continues striving for greater realism, with higher resolutions, greater depths, richer col- ours and more computer-generation elements, he