Ketch Rossi relies on Miller ’ s Cineline 70
Already a long-time user of Miller Camera Support ’ s equipment , director and cinematographer Ketch Rossi continues to upgrade his current tripod system with the Cineline 70 fluid head that offers him a quick set-up for his projects .
The Cineline 70 ’ s capabilities became apparent during Rossi ’ s first venture with it while on a long-term film project on the African island nation of Mauritius . For this project , Rossi was asked to achieve some acrobatic shots at different angles , relying on the locking mechanisms of the Cineline 70 ’ s Mitchell base . He would sometimes find himself leaning over the edge of a balcony three storeys above his subject , at a 90-degree angle , depending on the locks to hold his camera in position . Rossi explains : “ I placed my trust in the reliability of the locking mechanism of the Cineline 70 and the Mitchell base , which was what allowed me to take some of my best shots . In particular , a shot from the edge of a balcony off the third floor from the Marina level , where without any grip I had no choice but to place the Trost Motion Slider system on the Miller Studio tripod via its Mitchell mount . The lock on the Miller Cineline 70 fluid head worked extremely well , especially when I was facing 90 degrees down to film the scene set
PHOTO : KETCH ROSSI up at the edge of a small pool . My director was extremely happy I got that shot — and so was I !
“ The Cineline 70 brings my experience with the Miller line of fluid heads to another level . It is a product that I am certain I will not step away from . This system is a sublime marriage of technological advancement and ergonomics designed to let the cinematographer worry about the shot and be allowed to follow the subject with ease with any given camera set-up — from a slight system of about 10 lb , to a fully loaded system of 50 lb or more .”
Another one of Rossi ’ s favourite features of the Cineline 70 is the ergonomic controls . “ The locations and size of the control knobs are great and allowed me to make fast , on-the-spot adjustments while not taking my eyes or focus off the subject I am filming ,” he adds . “ This is by far what I find most useful . Every shot that I have been composing with it is very high quality , which is a result of how great this system is . It has taken my work to new heights .”
The Cineline 70 is designed for film and digital production cinematographers who require a new dimension in professional camera support . It is constructed of corrosion-resistant alloy and offers “ advanced precision ” fluid drag control with soft starts , smooth stops and consistent diagonal drag transition , as well as counterbalance systems with “ all-in-one-location ” control layout .
The Cineline 70 is set to accommodate industry-leading camera mountings , including ARRI , Sony , RED and Canon , and it also features an ARRI-compatible , sideloading camera platform , along with an optional Mitchell Base Adaptor to complement traditional Mitchell Flat Base tripods .
Additionally , the fluid head comes equipped with an extended sliding range to promote “ quick and seamless ” rebalancing of the rig when lens and accessory
PHOTO : KETCH ROSSI
The Cineline 70 fluid head is compatible with camera mounting from ARRI , Sony , RED and Canon .
changes result in weight distribution . Furthermore , the fluid head offers dual-side mounts for monitors and accessories , as well as an assistant ’ s box front mount .
Rossi concludes : “ I loved the Miller Compass 25 , which I used for several years around the globe , from the extreme cold in the mountain ranges atop the Italian Alps to the intense heat of the deserts of Dubai . I have never had a single issue with that system , so Miller gained my absolute trust . When the Cineline 70 came out I was ready for it . I use it in confidence knowing that this system will also prove to be as solid and dependable as my previous Miller system .”
Rossi moved to Hollywood in 1989 from his home country of Italy to pursue his career in the film industry . He has worked as a photographer , cinematographer , director and producer for more than 25 years in various productions worldwide . Rossi has participated in numerous productions across the world , shooting in all types of environments , combining his filmmaking skills with the functionality and durability of his chosen equipment to produce art masterpieces in extreme conditions . Rossi believes in always pushing himself and his gear to the maximum in order to achieve what initially might seem impossible , bringing to the screen images that truly tell the story .
Learn more about Rossi ’ s work at www . ketchrossi . com .
Director and cinematographer Ketch Rossi relies on the locking mechanisms of Miller ’ s Cineline 70 Mitchell base to achieve acrobatic shots at different angles during a shooting in Mauritius .
“ I placed my trust in the reliability of the locking mechanism of the Cineline 70 and the Mitchell base , which was what allowed me to take some of my best shots .”
— Ketch Rossi , Director and Cinematographer
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