ASEBL Journal Volume 11, Number 2 | Page 32

ASEBL Journal – Volume 11 Issue 2, Spring 2015 Carroll, Joseph (2006). The Human Revolution and the Adaptive Function of Literature. Philosophy and Literature, 30, 33-49. ―. (2012). The adaptive function of the arts: Alternative evolutionary hypotheses. In C. Gansel, D. Vanderbeke (eds.) Telling stories: Literature and evolution. Berlin: De Gruyter, 50-63. Coe, Kathryn (2003). The Ancestress Hypothesis. New Brunswick, N.J.: Rutgers University Press. Coolidge, Fredrick L. and Wynn, Thomas (2009). The rise of Homo sapiens: The evolution of modern thinking. Malden, MA: Wiley-Blackwell. Cronin, Helena (1991). The ant and the peacock. Cambridge: Cambridge University Press. Cross, Ian (2007). Music and cognitive evolution. In Dunbar, R.I.M. and Barrett, L. (eds.) The oxford handbook of evolutionary psychology. Oxford: Oxford University Press. 649-667. Currie, Gregory (2009). Art of the Paleolithic. In Davies, S., Higgins, K. M., Hopkins, R., Stecker, R., and Cooper D.E. (eds.) A companion to aesthetics. Malden: Wiley-Blackwell, 1-10. Curtis, Gregory (2007). The cave painters: Probing the mysteries of the world's first artists. New York: Anchor. Davies, Stephen (2005). Ellen Dissanayake's Evolutionary Aesthetic. Biology and Philosophy, 20, 291304. ―. (2012). The artful species. New York: Oxford University Press. Dawkins, Richard (2009). The greatest show on earth: The evidence for evolution. London: Transworld. Dissanayake, Ellen (1974). A hypothesis of the evolution of art from play. Leonardo, 7(3), 211-218. ―. (1988). What is art for? Seattle: University of Washington Press. ―. (1995). Homo aestheticus: Where art comes from and why. New York, Free Press. ―. (1998). Komar and Melamid discover Pleistocene taste. Philosophy and Literature, 22, 486-496. ―. (2005). A review of The Singing Neanderthals: The Origins of Music, Language, Mind and Body by Steven Mithen. Evolutionary Psychology, 3, 375-380. ―. (2009). The artification hypothesis and its relevance to cognitive science, evolutionary aesthetics, and neuroaesthetics. Special Issue on Aesthetic Cognition. Cognitive Semiotics, 5, 148-173. ―. (2011). Prelinguistic and preliterate substrates of poetic narrative, Special Issue on Narrative and the Emotions. Poetics Today, 32(1), 55-79. ―. (2013). Genesis and development of “Making Special”: Is the concept relevant to aesthetic philosophy? Special Issue: Aesthetic Experience in the Evolutionary Perspective, (eds.) L. Bartelesi and G. Consoli. Rivista di Estetica. 54, 83-98. ―. (2014a). The artful species engages in art behaviours. Commentary on Stephen Davies, The artful species. Estetika: the Central European Journal of Aesthetics, 7(1), 101-104. ―. (2014b). A bona fide ethological view of art: The artification hypothesis. In Art as behaviour: An ethological approach to visual and verbal art, music and architecture. (eds.) Christa Sütterlin, W. Schiefenhövel, Christian Lehmann, Johanna Forster and Gerhard Apfelauer. Vol. 10 Hanse Studies, BIS-Verlag der Carl von Ossietzky Universität Oldenburg, 43-62. ― (2014c). Denis Dutton: Appreciation of the man and discussion of the work. Philosophy and Literature, 38(1A), A26-A40. Distin, Kate (2005). The selfish meme. Cambridge