ASEBL Journal – Volume 11 Issue 2, Spring 2015
(2007), including discussion of New Zealand art post-1967, although it has been
criticized for not addressing adequately the range of contemporary New Zealand
art since the 1960s. As Christina Barton writes, “the view of art in New Zealand
has radically changed, and Keith does his best to canvass how...But in the end, the
fact that Keith has not been intimately involved with art historical scholarship
since he left the Auckland City Art Gallery in 1970, nor active in the contemporary
art sce