Now it becomes relatively easy to characterize.
Needless to say the excerpted portions of the
conversation that accompany my text here become only a quasi-factual account; not that people didn't say what is attributed to them, but the transformation of all oral discussion into a written text is nothing less than
radical. Often, because of multiple voice-overs, the transcriber is obliged to approximate or reconstruct with only parts of the dialogue. I've tried to leave such parts out, but it is always a pity: they tend to be the heated
or excited parts of the conversation.
We set up a discussion situation with people —other artists —who share a community and a problem. In some sense we are defined by our rela- tionship to that problem —the problem being, from my point of view, the aftermath of what is unhappily titled 'The End of Modernism, or, to be
more upbeat.
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literal idiocies of True Love into one
Where It All Happens
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The literal idiocie