ArtView October 2013 | Page 50

In 1961 you went to London to study for five At the end of my first college semester at NYU in years, exploring British and European art and 1967, the Arab-Israeli war known as the Six Day war culture. What influence did this experience have added a tense dimension to an already heightened on you? tension of the Vietnam War, affecting academic life and disrupting classes at NYU and everywhere. Going to England and continuing my schooling in Having just enrolled as an undergraduate, there was London opened a broad horizon for exploration and still a long period of study with many courses in the discoveries. It was a great period of study and travel, arts and sciences. In 1968, a series of terrible events offering opportunities to visit and see great places, swept the country, with violence and increased museums, and art centers in England and Europe and tension creating a depressed atmosphere that brought gain first-hand knowledge of the works of great artists all sorts of reactions from different perspectives and of different periods. The close contact greatly walks of life. There were huge demonstrations, along influenced the development of my interest in art. with cultural and political activities drawing strong participation from various figures that included You studied at New York University, where you artists, poets and musicians. I became immersed in a received a BA and MA in art history and lot of artistic activities, making artworks that seem to philosophy, before you committed yourself to flow with a succession of images requiring deep painting in 1968. What led you to make the concentration of focus and development. decision to choose a life in art?