ArtView November 2015 | Page 21

Freya as Wendy Darling in Once Upon a Time way. My mum gave up her full time job to be with me when I was 17 and stayed with me for the first three years while I settled into LA. That made the transition to the US a lot easier for me. I couldn't imagine not having my mum with me at such a young age in a different country. But then again, I've met many young ones who do it and kudos to them - it's incredibly admirable! Many Australian actors have become successful in Hollywood in recent years. What qualities do you think Australians have that has made them so popular? Having spent a few pilot seasons in LA and speaking with and meeting many actors and families of young actors, there seems to be a real different set of ideals in the American entertainment industry that doesn't exist in Australia. What I mean by that is a lot of families will bring their kids to LA to 'try their luck' thinking that maybe they'll make it and become a star, and a lot of the times with the kid not even wanting to grow up being an actor. LA has the image of 'making Stars' and I think that attracts every man and their dog (kid). Just look at American reality TV and you'll see what I'm talking about. Australian actors seem to be really focused on their craft and take what they do seriously. There's no sense of, 'oh, if I become an actor or actress I'll be rich and famous' because that culture just doesn't exist in Australia. I believe acting, when being pursued as a profession, should be treated the same way a young med student would go about getting a degree to become a doctor - hard work, focus, passion and a lot of determination! In 2012 you joined the cast of the Netflix series Hemlock Grove, playing the role of Christina Wendall. What impact did this have on your career and your profile in the US? There's different stages of auditioning. First stage being a read with the casting director, the second stage being a callback with the director and maybe a producer. If you get more callbacks after that it's usually with the director and producers. Having a series regular role in a big US series I found myself getting sent for more of what they call "straight to