ArtView May 2014 | Page 7

AnthonyAckroyd with John Mendel John and I spend a couple of hours brainstorming ideas that will encourage people to dedicate themselves to a day of reducing stress on July 25. We need to maximize publicity and fundraising in the lead-up to this event by using humour skillfully to attract media exposure. I learn that even though Lifeline is a beloved Australian institution that has been helping distressed and suicidal people for over 50 years, it receives very little government funding and needs cash. As my second coffee kicks in the ideas are flowing, promising fun times ahead in the name of a very good cause. Back home I start preparing for the radio show I have appeared on for 15 years, the ABC’s Thank God It’s Friday. I’m usually on the panel trying to create humour from the news events of the week. Today I am stepping into regular host Richard Glover’s shoes and running the show, and that means preparing an opening monologue that is both funny and interesting. I’ve decided to do a piece on humour theories, as a few days ago yet another book was released by a bunch of academics claiming to have cracked the code on what makes things funny. At this stage I have a solid draft and as the deadline for delivery live on radio looms it’s time to hone detail. I tap away on my Mac making the almost microscopic changes to structure and phrasing that can make the difference between a laugh and a painful silence. I rearrange the sentences in para 3 to read, “It’s been said that analyzing humor is like dissecting a frog - few people are interested and the frog dies in the process. Yet there is certainly no shortage of people happy to carve up Kermit.” Nice visual and the