ArtView January 2015 | Page 12

DOOMSDAY BOOK by Connie Willis First published by Bantam, 1993 Winner of the Hugo and Nebula Awards You know you’ve read a good book when the world and the characters created within its pages become more real to you than the world outside, and when they continue to haunt you long after you’ve read the last word and put the book away. So it was with Doomsday Book (with its echoes of the Domesday Book compiled by William the Conqueror’s surveyors after 1066 to record absolutely everything that had fallen into his possession.) The novel was lent to me by a friend in the late 1990s. I was on holiday and had to read it in a hurry so I could return it before I left. I gulped it down, and subsequently bought my own two copies (just in case I lost one) and read it all over again. Doomsday Book is a time-slip back to 1348 at a time when plague is ravaging England. It starts in Oxford in the present as historians from rival colleges squabble over the tactics needed to send a history student, Kivrin, back to 1320 to investigate an ancient village, Skendgate, the site of a dig in contemporary times, in the year 2054. Kivrin has all the confidence of youth and is desperate to go. Her mentor, Mr Dunworthy, has grave reservations but is overruled – and meantime an unknown and deadly virus has been unleashed, causing a pandemic that contemporary medicine is unable to treat. As a consequence, Kivrin is sent to the wrong decade and, being infected before leaving Oxford, is unconscious when the Net opens into the past. She is found and given shelter, but later is unable to locate her way back to the drop to be rescued and returned to the present. Nor does she know that there is no help on the way, for Oxford is locked down in quarantine, the labs are closed and those responsible for sending her into the past are themselves now too ill to go in search of her. The unfolding tragedy of the plague as it claims people whom Kivrin has grown to love is contrasted with plague in the present where people are equally unable to find a cure. The irrepressible Colin brings some light relief in contemp time as he runs errands for everyone including the frantic Mr Dunworthy, who knows something is terribly wrong but is too ill to do anything about it. So, too, do the love-rat William Gaddson, who tries to persuade his numerous girlfriends to use their various positions of authority to help reopen the Net, while everyone does their best to avoid his mother, with her doom-laden readings from the Bible. But who can forget little Agnes with her black puppy and her irritating little bell, or her older sister Rosemund, who waits in mortal fear for her marriage to the grotesque Sir Bloet? And then there’s Father