ArtView December 2013 | Page 27

Jamey with cellist Yo-Yo Ma Simon, Betty Buckley, Rabih Abou-Khalil, Simon inherent natural subatomic boogie that is their Shaheen, the Assad Brothers and Yo-Yo Ma. How indigenous music... do you see your role as a percussionist when performing with such a diverse range of artists? All the leaders you mentioned in your question changed my life, but none more than saxophonist Dave Liebman. Dave is a jazz master and he The way I view it now is that people get culturally believed in me. I played in his band for 11 years. He imprinted from a young age, and those lessons come never told me what to play and always gave me naturally, no matter how complex the language or the enough space to orchestrate the music with any music or the sport; if you have any talent at all, it just instruments of my choice. I learned so much in that comes naturally. It takes practice but it is never period. My confidence grew playing with Dave, and considered hard. I really thought I had a thing for so the worldwide Jazz community had a chance to hear many cultural styles of music because I understood me too. There was so much positive energy around some form and surface information about them. In it was hard not to want to take it as far as you could truth, almost any of the music styles I have come to musically. love and explore are much deeper than I ever imagined. Although I may know more about them You have a large collection of percussion than the next guy, the player who is truly of that instruments (over five hundred) – and you have culture knows intuitively that I do not have the also invented some new instruments of your own.