ArtView December 2013 | Page 10

Adam Dean looks at the life of Tintin creator Hergé under German occupation, and the accusations that he was a Nazi collaborator. As a boy, Tintin was my hero. I spent named Totor. At the age of 18 he became an many hours happily absorbed in his brightly- illustrator on a Catholic newspaper called Le coloured world, along with his gallery of loyal Vingtième Siècle (The Twentieth Century). friends and scheming villains, sharing his fantastic Before long he was asked to create a new strip adventures. I knew nothing about his creator, who cartoon for the children’s supplement to the paper, had the mysterious single name of Hergé. So I was Le Petit Vingtième. So the scout Totor became the shocked to find, when reading a recent biography of intrepid young reporter Tintin, who embarked on a Hergé, that he was once suspected of being a Nazi series of famous adventures. Originally appearing collaborator. as a daily comic-strip, these were later published in The young Belgian artist named Georges Rémi used his initials, reversed in the French alphabet, to book-form, achieving massive popularity. Hergé was already an acclaimed figure when make the pseudonym Hergé. He was born in the threat of Fascism loomed across the world in the Brussels in 1907. He became an enthusiastic 1930’s. He responded in a way that showed his Boy Scout – his first attempt at a cartoon story clear anti-Fascist stand. The Blue Lotus appeared in appeared in a scouting magazine, featuring a hero 1934, dealing with the threat posed to China by