Arts & International Affairs: Volume 2, Number 2 | Page 179

When Words Don’t Matter Puneeta Roy Puneeta Roy is a media professional working in Film & Television for over 30 years. Her interest in theatre led her to conducting workshops with young people using theatre as a tool for self-exploration and transformation. A deep interest in healing drew her towards Expressive Arts Therapy, as a toolkit ideal for exploring creative self-expression.As Founder Trustee of The Yuva Ekta Foundation, her vision of Equity & Social Justice translated into the creation of several platforms, through which under-privileged young people share experiences with their more fortunate peers, and learn from each other. She sees tremendous potential in young people as agents of positive social change. The Yuva Ekta Foundation has performed original plays in Glasgow during the Tin Forest International Youth Festival (2014) and the Home Away Festival (2017), at the invitation of the National Theatre of Scotland. Puneeta dreams of setting up a Global Youth Citizenship Network that would span countries across the planet. It is ����, and we are in the Assembly Theatre at the Edinburgh Fringe Festival, watching Yael Farber’s play NIRBHAYA, based on the gruesome gang rape of Jyoti Singh Pandey in a moving bus on a cold December night , New Delhi ���� - an incident shook the world by its sheer brutality, compelling both women and men pour out onto the streets demanding justice, urging everyone to break their silence. Responding to Jyoti’s brutalization from her home in Johannesburg, Yael crafted an experience that opened up the larger issues of violation and exploitation of women in every aspect. Intertwined with the main plot is the story of five survivors who step forward to share personal stories of their debasement. Two of them are non-actors, walking onto stage for their first theatrical sharing. As the canvas of their stories stretch from the metropolis of India to its lesser known towns, all the way to Vancouver, Canada, they pierce the hearts of every audience member. I am bunched up in my seat feeling the knot in my stomach get tighter as I watch Sneha Jawale, a dowry atrocity survivor, relive the horror of a vicious attack in ����. Her husband had doused her with kerosene oil and tried to burn her to death, in her own kitchen! Sneha survived the attack but her 178 doi: ��.�����/aia.�.�.��