Arts & International Affairs: Volume 2, Issue 1 | Page 143

important narrative for the human existence. Right now this point of time, pre-presidential election in the United States of America in ����, I feel the work I do is so important because it helps people learn from history. How do you not repeat the mistakes of the past? For example, the museum that we just opened up in Los Angeles in May, the Go For Broke Education Center, is the legacy project for an organization founded by Japanese-Americans World War II veterans. They and their families were forcibly interned in “relocation” camps. Their families were stripped of their constitutional rights and the young men were asked to fight in the war. Their slogan was “Go For Broke.” We’re going to prove that we’re true American citizens. We’re going to fight for all the rights that our families have been denied. When you unpack all of the issues that we call national insecurity, it mirrors what’s going on today exactly. If I have a chance in the work Quatrefoil designs for museums to impact even a handful of people I consider that worthwhile. JP: This idea of memory and heritage is very different from the patrimonial ideal that glorifies the culture. As the designer, how did you prepare yourself for that role? AC: When I listen I try to listen for the emotion and the undertone in the answer too. In working with client organizations, they see that I’m a white American woman. If I go into a group of Japanese Americans to talk about their family’s experience in the camps, I have to be very honest. I have to speak from my heart to communicate with people, and reach out to establish trust and friendship so we can really talk about the deep issues. In the Spring of ���� we completed a project in Albuquerque, New Mexico: The Indian Pueblo Cultural Center. It’s a cultural museum that represents all �� of New Mexico’s Pueblos. Here I am again a white American woman from the east coast coming into Pueblo culture. I said to the folks straight up in our first meeting I just want you to know that if we make a misstep, if we don’t understand something, if we say something that’s not correct, if we say or do something that’s offensive please, please tell us immediately so that we learn and we understand. The curator and I built a really lovely relationship and she said ask me anything. I learned so much about spiritual traditions, values, families – things that aren’t shared with outsiders. Most of what we talked 142