ARTiculAction Art Review - Special Issuue Aug. 2016 | Page 46

ICUL CTION C o n t e m p o r a r y A r t R e v i e Dalia Smayze w P etra Paul O phira Avisar Petra Paul lives and work in Vienna and Ophira Avisar lives and works in Tel Aviv S ince we met on October 2015 during an exhibition of Israeli graphic art at Hamakom in Vienna, we work together. We made some films and performance. Ophira Avisar is a multimedia artist. She uses various materials and many disciplines. Everything around her can become art. She invented a theatrical/artistic language in which she is drawing a story with a participation of non speaking actors. Another type of works is drawing moving actors or dancers on a transparent sheet. Her works deal a lot with femininity, dignity, and freedom. In photography Petra Paul plays with gender roles, with masculinity and womanliness to show the construction of both. She critiques gendersereotyping, sexim and patriarchy. She also uses photograph and the medium film for her work against racism, anti-semitism,... She uses her menstual blood and makes abstract, monochrome pictures, showing the abjection. We are both feminist artists and do a lot of work against racism, xenophobia, anti- semitism, misogyny. We have to prohibit discrimination based on any grounds, including sex, gender, color, religion, ethnic, disabitity, age, social origin, language or belief. Education is an important part for (or to learn) acceptance and tolerance as well as awarenss-rising. We are for peace, for respect, for equality, for solidarity... and we use this words in different ways, in film as well as in our performance. Our work is also asking questions about the male dominated public space. It is also about sustainability. When we use the beach of Tel Aviv as a drawing ground, we do it being aware to 16 the constant erasing of the waves. We can write and rewrite on this "canvas". The current co-work starts from findings of both of us in Tel Aviv. Petra Paul a lot of photos, and a book. So she made a fictive story about a student of architecture, Chawa Lieber. ”Architecture is My Life” is a multimedia work, she made with this photographs. There are some true stories told by this work: Aron Menczer and the ”Children and Youth Aliyah” and the ship Atlantic. Chawa Liebers grandmother Rachel fled at the age of 6 with the help of the ”Children and Youth Aliyah” 1939 to Palestine. Grandfather Chaim escaped 1940 at the age of 10 on board of the ship Atlantic form Austria. Ophira Avisar made the series ”Belong Don't Belong”, after finding in the street a book about a city somewhere between Poland and Ucraine. She took some photos from the book and added a feminine figure to each of them. Selfdefinition and belonging are dynamic. They are contrarian to environmental political and social conditions. The people you belong to is also dynamic and contrarian. You choose and rechoose. Our definition is context dependent these works (Petra Pauls Chawa Lieber and Ophira Avisars belong not...). Are going to be co-exhibited at Kuenburg castle in Lower Austria on October 2016. Working on three new films. One deals with the combination male/war. And the other two deal with peace. Petra Paul and Ophira Avisar