Anita Le Sech ART Habens look at lease for a while to make sense and perhaps order of what they see. For example I did a painting called the The Butterfly Effect. Some people saw it as the Houses of Parliament, others saw Bikes and cars in it but then there were others who thought it was just a lot of wavy lines. It was truly amazing to see how people interpret paintings and what they actually see.
The Core and City Madness were other prime examples of imagination, some people said the Core looks like an apple, others think it’ s more like space station, and City Madness people see it as fireworks or an explosion. Overall, I want to feed peoples imagination and for them to decide what they see. From all our personal experiences the make-up of our brain interprets what we each see. works to a hungry audience and explain the whole idea of why you produced the works. Conversation and interaction is key to any artist who wants to improve on their work as feedback and honesty of others is sometimes a great influence. The language of passion from an Artist to its audience gives the art piece another voice and another dimension.
Now living in the South of France I want to produce some new works that will depict my current surroundings such as the beach and the mountains. Cool as well as bright colours will be used along with some new materials to experiment with. My pieces will continue to be large and very textured. I want to produce more simplistic but with a complexity of colour to add is attractiveness. Watch this space.
An interview by
, curator and curator
I certainly do believe that an audience reception is important. It is an opportunity for the artist to meet and greet viewers. An opportunity to interact and explain their
21 406 Special Issue