ART Habens Diego Bernaschina codification signed in various scenes of his obsolete life. Always done it’ s going to be obsolete at that time. Nobody explains that obviously the methods used as the digital technology to transform the new media art.
The important thing is that the viewers can visualize objects in their mind, as well as the ability to imagine an object in different manipulation techniques through the mass media, for thinking the reality as a recurring joke. Just as a situation so crude to express the provocative emotions of the spectators, although I ' m always late to hear that their inability to control; although not even his viewers had believed the fake video artist, and they always thought that the work of Código de señas that could be incommunicado with the rest of the video.
And even that many Chilean journalists made the mistakes regardless of the wording supervised with the incorrect terms. All the world of " deaf-mute ", but it’ s too serious and oblivious for Chilean journalists. Thus deaf people ' re accustomed to correcting the misspelled words. They don’ t adopt the changes of those insignificant terms. There’ s no time to negotiate the terms used. Nor repair the errors. It was a shame these people were picked up by all the media. Too late for indignant people about the appropriate terms to refer to the people with hearing impairment.
Of course, there’ s the part of the personal memory and the experience of the deaf community in Chile. That’ s why, whenever I’ m influenced me with the social art to manifest the provocation with the same height of hearing people no matter who it is, most deaf people failed to become a good leader to maintain the power of visual-gestural contact. My work corresponds to the reality to convey a non-verbal message. So the video art show’ s to break down the barrier of incommunication between deaf and hearing, because the deaf who don ' t listen in the other way of understanding and live in reality to communicate in difficult times.
Difficult to conceive a chosen project. When I studied at the Universidad Tecnológica de Chile INACAP. From there, I take the divided courses into three areas of arts, design and education. Before entering these courses, during my childhood and adolescence, I dedicated myself to painting and doing research related to abstract painting. As well as a great myth of surrealism. Subsequently, I entered these courses, I changed my life radically. For me it’ s not easy to admit that the good technique to work in different discipline artistically. Thanks to the academic group that I learned in several basic areas no matter my qualification, only my effort to learn and experience the new ideas through graphic design, color theory, photography, video and technology.
Not always the best student, nor the best artist. It only took advantage of knowing and exchanging the works of the chilean plastic artists, contemporary Latin American and some artists from Europe and Oriental: surrealism style( Roberto Matta, Salvbador
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