Diego Bernaschina ART Habens
It ’ s difficult to speak politically . I only exclude myself with the sociopolitical criticism , but a demonstration of power in the society to react and intervene in any situation that it may seem detrimental to their reputation and their political-economic interests ; and they also have too brutal indebtedness of the Chileans and the wage dispossession of some members of the middle class family ( the people cohabit in a family space , impossible to distribute their indebtedness ), includes in a high degree of economic inequality among the young and older adults .
And that struck me much by the social manifestation on the poverty , the gender inequality , etc . However , I ’ m far removed from the way of thinking the political question . Whenever a new research within the humanities arises . As well as a priority task to carry out a reflection on the social problems today . Just a demonstration of those images to express and embrace that real situation . I cannot comment on the issue of cultural policy , nor is the work linked with the critical power of contemporary creation . It ' s just better not to say . And it ’ s precisely the opinion that characterizes the philosophy about a change of direction in the future . Obviously , it ’ s not just a question of the crisis , but it ’ s a matter of time ( about the present and the past ), of custom , of necessity , or relatively of being more fashionable , that ' s to say , there ’ re different factors sociocultural of risk in the Chilean population . This seems the most logical thing that the visual culture ’ s characterized by a threatened sociocultural context .
It ’ s not necessary to know the diverse social experiences , although not always the sociocultural analysis to readaptate the recognition through a change of direction in the future , but in this sense , the greater concern of that artistic research on the language like social art . Thus the social responsibility in the art , to deepen the social shortage in the new generations within the cultural context and artistic production .
Good question ! I could say in both things . First , the environment ’ s related to dirt such as the environmental pollution , fecal and acoustic ( or sonorous ), because the homeless people living on the street and hunger strike . They don ' t care about the health and wellbeing of their people in street situations . Too much danger of human life . My country ’ s very accustomed to calling young volunteers to support people in the street situations . I don ' t always have something important to keep learning and improving the will of them . But it only needs an artistic space to reduce the ecological and socially .
And second , the psychopolitics corresponds to a practice without consent that relates to the politics and the psychology towards a power of the unconscious mind . Very difficult to refer to the social situation to contaminate the needs of projects in video art . Although it allows us to create it and influence it their foreign behaviors , without a doubt that something worries me about the speculation to the artistic image , and how a challenge of imagination-reality . No one knows he ' s capable of doing anything . That ' s how it works the elite politics to get dirty the image of them . Everyone knows that my country ’ s full of luxury at the power of the unconscious mind . Impossible to benefit them .
21 406 Special Issue