Diego Bernaschina ART Habens
It’ s difficult to speak politically. I only exclude myself with the sociopolitical criticism, but a demonstration of power in the society to react and intervene in any situation that it may seem detrimental to their reputation and their political-economic interests; and they also have too brutal indebtedness of the Chileans and the wage dispossession of some members of the middle class family( the people cohabit in a family space, impossible to distribute their indebtedness), includes in a high degree of economic inequality among the young and older adults.
And that struck me much by the social manifestation on the poverty, the gender inequality, etc. However, I’ m far removed from the way of thinking the political question. Whenever a new research within the humanities arises. As well as a priority task to carry out a reflection on the social problems today. Just a demonstration of those images to express and embrace that real situation. I cannot comment on the issue of cultural policy, nor is the work linked with the critical power of contemporary creation. It ' s just better not to say. And it’ s precisely the opinion that characterizes the philosophy about a change of direction in the future. Obviously, it’ s not just a question of the crisis, but it’ s a matter of time( about the present and the past), of custom, of necessity, or relatively of being more fashionable, that ' s to say, there’ re different factors sociocultural of risk in the Chilean population. This seems the most logical thing that the visual culture’ s characterized by a threatened sociocultural context.
It’ s not necessary to know the diverse social experiences, although not always the sociocultural analysis to readaptate the recognition through a change of direction in the future, but in this sense, the greater concern of that artistic research on the language like social art. Thus the social responsibility in the art, to deepen the social shortage in the new generations within the cultural context and artistic production.
Good question! I could say in both things. First, the environment’ s related to dirt such as the environmental pollution, fecal and acoustic( or sonorous), because the homeless people living on the street and hunger strike. They don ' t care about the health and wellbeing of their people in street situations. Too much danger of human life. My country’ s very accustomed to calling young volunteers to support people in the street situations. I don ' t always have something important to keep learning and improving the will of them. But it only needs an artistic space to reduce the ecological and socially.
And second, the psychopolitics corresponds to a practice without consent that relates to the politics and the psychology towards a power of the unconscious mind. Very difficult to refer to the social situation to contaminate the needs of projects in video art. Although it allows us to create it and influence it their foreign behaviors, without a doubt that something worries me about the speculation to the artistic image, and how a challenge of imagination-reality. No one knows he ' s capable of doing anything. That ' s how it works the elite politics to get dirty the image of them. Everyone knows that my country’ s full of luxury at the power of the unconscious mind. Impossible to benefit them.
21 406 Special Issue