ART Habens Art Review ART Habens Art Review - Special Issue #93 | Page 69

Peter Eugén Nilsson much as it is a close relative to how I am as a person. I need the city to paint beautiful nature images. For it gives me the opportunity to escape the stress and the people and find myself in nature and silence. and that's where my inspiration for my watercolors takes off. The same applies to my rock artists. When silence and distance to the people and the city gets too big so I automatically pulled back there and energy makes it possible to be drawn into the tempo. And then it's easier for me to produce the type of art. So I need both the proximity to nature and the city in order to be able to combine my artistic styles. Why have I lived myself in the vicinity of Stockholm, but in a small house out in the archipelago. A stone's throw from the sea. ART Habens Just as you say need not always bright colors and cheerful colors to make a beautiful painting. For me, quite honestly all about creating drama in a painting. But you can do it in many different ways. and I am learning still this every time. I'm looking to portray solitude. It is usually a lonely House in a sunset or twilight. It is the sense of vulnerability that can be so beautiful. A single shadow of a tree can tell you all about a painting. When I paint a picture, I would also like the weather should be moving. There will be shades of both storms and sunshine. It provides both contrasts and a feeling that the painting is in motion. We don't know if it's about to get good weather or bad. It gives the viewer a feeling of fantasizing yourself. Because I paint representational works in both my art styles, it can be 21 4 69 Special Issue