ART Habens Anna Zviebel
I ' m not sure I understand well the next question, so maybe I ' ll answer a little bit beside, sorry. I don’ t know if i can say that my cultural substratum dued to the contact with France and Czechoslovakia inform the way i relate myself to art making an to the aesthetic problem in general.
But, i can say that my mixed origins have inevitably an influence on my creations. I grew up in touch with two countries with different histories and cultures and speaking both languages who are very different due to their roots. I am composed of this mixture since always. It must certainly influence my artistic approach. I have always felt me to be staggered relative to others, perhaps partly due to my mixed origins. In any case, now I am attracted by things and people extraordinary and I like to create things that come out of the classic. create, sticking mirrors on the canvas or trying to give it relief. I think it makes the artwork dynamic. I first tried with mache paper. Then I had the idea of using the liquid glue by letting it harden. I found it great and since then I have not stop using this technique. It became my style. This kind of relief on canvas is found in all my creations, consequently, yes, it is the central idea of my work as a painter.
My technique is to create reliefs, thanks to the hot liquid glue, on the canvas. Once the glue has cooled, I paint the canvas with acrylic. Some of my works are airbrushed, but I use only the brush for a while, which I prefer by far! In Ireland, I was painting when I was not playing with the theater company of which I was a member. I was doing surreal things and in detail, it relaxed me a lot. Once back in France, I experimented in different ways to
Until not long ago, I usually composed with the mood of the moment, letting my instinct or my emotions guide my gestures. A theme, a feeling, a little something was enough to be creative breath and dictate my action. I was trying to translate what go through me. But even like this, i ended up leaving no room for hazard and my gestures were becoming more and more, thoughtful, in the course of creation. Over time, I take more pleasure in painting with premeditation. And I know that things will change as I have new desires and new ideas. One of my hobbies is playing chess. Well, I find similarities between the two activities: we can have plans and make calculations, but every time a piece is moved or a brush stroke has been added, we can challenge everything and change our strategy or transform our idea.
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