Art Chowder May | June, Issue 27 | Page 32

 What are the best ways for someone to engage with writing or writers?    Initially, take a class — it will set you up with some basics and help you know where your interests lie. Honing the craft helps in every way. The world of writing is vast — poetry, fiction, nonfiction, journalism, blogging, each has different facets and skills. Amazing connections can be made through just one class. Always more to learn, you never age out of meeting with other writers and sharing experience.     David & Bathsheba By Susan Cowger Who are your favorites?  Honestly, my favorites are the writers I know personally. Laurie Klein, a marvelous poet, is my most trusted resonator. Christopher Howell — though I don’t know Chris well — was instrumental as I initially stepped into the world of words. His influence continues. Some great writers also whose work reflects writing I admire: the late Brian Doyle can make a simple thing breathe with life; Ted Kooser observes everyday life and has a conversational way of speaking to the reader; Annie Dillard sees the world in images; D.S. Martin unselfconsciously uncovers the spiritual and helps one to see it inextricably woven into the world.   Do you have any other recent publications, honors, or notable activities? A body of my work was recently published in a book called In a Strange Land: Introducing Ten Kingdom Poets (Cascade/2019). I am thinking about a boy pulling wings off a dragonfly first one then another dismantling beauty as if flight could be disassembled and the exquisite wonder taped or tied back on like a cape or rocket     What other interests do you have and does this inform your work? Human relationships primarily inform my work. I also find relationship with God (one that supersedes the carking human thirst to be of value in the world) brings more to the table of writing than all my opinions and worldly experience. Of course, there are more tangible influences along the way, a gaggle I call “the children.” I love to draw — I consider drawing to be the precursor to all genres of art I have undertaken: oils, watercolors, etchings, and sculptures I make of rock, wood, and wire. I cycle. I swim. I play classical guitar. Did I tell you about my family? I call them “the village.” And other interests that might seem unrelated to writing? I have worked for years with Spring of Hope International, a nonprofit that does wholistic economic and spiritual development in Kenya. After five trips to Kenya, I have found the way humanity culturizes is both unique and ubiquitous, and yet, at the core of the differences we are all human. All said, everything I do informs my writing.     Please frame how your teaching or other involvements relate or don’t to what you write about. The craziness of relationships shows up everywhere. It’s all fodder for uncovering truth. Truth is the fabric of poems. Susan Cowger’s book is available from Wipf and Stock (https://wipfandstock. com) and local bookstores. 32 ART CHOWDER MAGAZINE Glassine wings crack and drift to the ground nothing at all like the pang of first lust or the ache that hovers just out of sight murmuring about leaving lesser beings that do not scream to die