Art Chowder May | June, Issue 21 | Page 38

Photo credit:  Scott Martinez Photography M imi is a woman of broad cultural refinement and sophistication, a lover and collector of fine art, with a need to be surrounded by beauty, all of which inform her lifelong passion for dance. The BAA studios are simple and functional, with the necessary walls of mirrors and permanent and movable ballet barres, along with anatomical charts and inspiring ballet posters. The entry and waiting spaces are adorned with deep wine-red velvet draperies, crystal chandeliers, and original artworks. Many would consider ballet a luxury of the rich, or at best another after-school option for kids (almost entirely girls) besides sports or martial arts. Not all BAA students come from wealthy homes, but those who come through the door find themselves in an environment “far from the madding crowd.” Formal ballet is a high art form with a centuries-old tradition, highly structured, with an established language of bodily positions and motions that stretch the limits of human potential. It is a vocabulary that must be learned in a series of steps, of which there are many. Each position and move has a name, largely in French, which must be retained in mind and then translated into bodily memory, combining complexities into great expressive and aesthetic power. 38 ART CHOWDER MAGAZINE Photo credit:  Scott Martinez Photography Photo credit:  James and Kathy Mangis Photography