W
atercolors also offered up control. There
were techniques for texture, and she knew exactly
what the end product would look like. “I have never
painted loosely. Even my watercolors were always
on the tight side.” Indeed, her works have more
brushstrokes and detail; however, her experiments
in the abstract and future plans may just shake up
her style.
In 1989, Carol started selling her artwork to friends
and acquaintances. Using acid-free archival papers
and archival inks, her paintings are backed with
foam board and have longevity. Her cards are also
made with archival paper and have the same lasting
endurance.
Known for bright colors, she is drawn to subjects
that are positive. Her work is intended to be
uplifting. “I want my paintings to bring joy and
happiness to people.” Carol is not a painter who
paints the pains of her life. “When you look around,
there is enough pain [in reality].” Though, the
subject has to move her personally before it is
recorded on paper. “I enjoy many styles of art and
my subject matter is as eclectic as I am myself.”
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ART CHOWDER MAGAZINE