Around Ealing Winter 2014-15 | Page 17

HERITAGE Artist’s impressions of how the front and rear of the manor house will look HIVE OF ACTIVITY Y for generations to come. But its remodelling is just one half of the area’s transformation; now it is the turn of Pitzhanger Manor itself to get a facelift. TO THE MANOR REBORN In January, Pitzhanger Manor will close to allow conservationists and craftspeople to begin a comprehensive £10.5million restoration – the biggest the building has undergone since it was handed over to the public in 1901. Among the huge array of improvements will be the demolition of what appears on first glance to be the middle section of the building – but which is actually a Victorian-era ‘infill’ built after Soane’s death – which currently connects his former home to the gallery. The newly restored Pitzhanger Manor will instead have a covered pergola walkway, in place of the extension, which will create a beautiful outdoor route between the buildings, as it would have done originally. A magnificent glass conservatory, replicating Soane’s greenhouse will be built at the rear of the manor house. This will give visitors a wonderful viewing point from which to admire Walpole Park. The house will also be fitted with a large skylight, known as a roof lantern, which will flood the landing, central staircase and entrance lobby with light and illuminate the beautifully ornate ceilings, columns and cornicing. Though not an original feature, Pitzhanger’s gallery space will be fully renovated, along with the manor. It is set to get a new roof and new heating and lighting, among other improvements. An upgraded security system also means the gallery will be able to borrow some of the world’s finest art works from various national galleries and museums, putting it firmly on the British arts and culture map. Council leader Julian Bell is a Pitzhanger Manor Trust board member, and has been heavily involved in the restoration of park and house – right from the initial submissions for funding to the Heritage Lottery Fund (HLF) and the Arts Council. He said: “When we first made an audit of the extent of wear and tear, we realised that serious action needed to be taken