THIS SPREAD : Building C
dominate . These floating elements are eroded and cut into with windows and balconies to create the large graphic articulation of the form - play on solid and void . This is further articulated by a concrete end wall that acts as a holding element , framing the negative space and cube , and folds over to form a top to the building . This then forms an entire façade which is then reversed and mirrored on the alternating façade , creating two asymmetric end fades .
A strong diagonal line is formed on the façade to develop a new theme from building A and B , and creates a dynamic counterpoint to the strong vertical and horizontal language . This use of a diagonal is echoed in various areas and is used extensively in the internal forms of the lobby as well as being further developed for building D . The interior design of building C ’ s lobby was the responsibility of DEEP SPACE , a division of MWLF . Here the concept was to take a fresh look at corporate design and give a curated , African inspired , contemporary design . The eclectic assembly of contrasting textures and tones of black white and grey in the choice of carpets , coffee tables , consoles , chairs , couches and art , give the space a timeless luxury and detail . The highly articulated folded ceiling with LED feature lighting is a strong design element in the space and is repeated in the rug detail .
Building D Also designed by MWLF Architects , Building D is the fourth building in the park and as the sub divisibility and functionality of Building C proved so successful , Building D adopts a very similar plan . The elevational treatment again takes the bold forms of floating central solid elements and erodes these in a different way . These are also positioned on a recessed darker base and topped by a similar recessed top floor . The diagonal line is again explored as a cantilever form of the solid section and reflected in cuts into certain larger cutouts . Building D pushes the boundaries of negative cutout and the erosion of the solid form in the group of buildings . The finishes in the lobbies and toilets move into a more exposed form with use of off-shutter concrete and structure . The themes of the external architecture are repeated in the wall and ceiling solid massing counterposed with the light glass and void .
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