Architect and Builder October 2016 | Page 24

Acoustic by Terry MacKenzie Hoy Mackenzine Hoy Consulting Acoustics Engineers [email protected] www.machoyrsa.com H uman beings have five senses. Of these, only one is not relevant to buildings, taste. Architectural design naturally skips past a requirement that the building could smell good because if it didn’t, nobody would work there. The senses of vision and touch are very much catered for in buildings. To any architect, if you say “Falling Waters” they will generally reply “Frank Lloyd Wright” - a house in the USA designed by architect, Frank Lloyd Wright, and located on a stream. It is a US National monument. Over the years, architects have been unstinting in their praise for the structure, due to the outstanding vision it presents. Unsurprisingly, vision is the most compelling – touch, not so much as in physical tactioception as felt by the fingers but in the form of contact with surfaces when walking or sitting. A sense very relevant to buildings is hearing. After vision, this is probably the most prominent sense of the five. Yet, in South Africa, it is the one sense which often seems to be completely ignored by people building buildings for reasons which I will 22 now outline. You will note, I wrote “people building buildings” and not “people designing buildings”. All over South Africa are buildings in which the occupants either can’t hear or hear far too much – in which privacy is non existent and in which great aural discomfort is prevalent. The people in the professional team (in which we include the client) who ensure that buildings are noisy, audibly uncomfortable and stressful in terms of poor acoustics and noise control are, in no particular order, the client, the quantity surveyor and the interior designer. People often think that the architects are responsible for the poor acoustics i n a building but this is not so. I will deal with this matter further on. In the interim, I wish to explain how these three people, the client, the quantity surveyor and the interior designer, can have acoustics and noise control failings which occur in the majority of South African buildings and structures parked firmly at their door. The client wants a building which costs as little as possible. The lesson that may be learned that a cheap car is not the most comfortable car does not, for the client, exist in buildings. Most of the time, the client will be renting the building to a tenant. Acoustics