Architect and Builder Oct/Nov 2017 | Page 9

AFRICA ARCHITECTURE AWARDS The inaugural Grand Prix and Category Winners of the Africa Architecture Awards were recently announced in Cape Town. The event was the culmination of an ambitious two-year awards programme that was initiated and supported by construction industry innovator Saint-Gobain with the ultimate aim of stimulating conversations about African architecture as it cements its place in a global continuum. The Africa Architecture Awards is the first-ever Pan-African awards programme of its kind. Over 300 projects from 32 African countries were entered into the awards. The final category winners were announced as follows: • Critical Dialogue: Forum de Arquitectura - CEICA, Angola • Speculative: The Territory In-between, Cape Verde - Aissata Balde, Graduate School of Architecture, University of Johannesburg • Emerging Voices: The Exchange Consulate: Trading Passports for Hyper-Performative Economic Enclaves, South Africa - Ogundare Olawale Israel of the Graduate School of Architecture, University of Johannesburg Built & Grand Prix winner: Umkhumbane Museum, South Africa - Choromanski Architects, South Africa www.AfricaArchitectureAwards.com uMkhumbane Museum, Choromanksi Architects Built & Grand Prix Winner Situated 7 km from Durban’s CBD, Cato Manor experiences various complex challenges facing former townships – many of which are continuations of the systemic injustice of South Africa’s past. As one of th e world’s largest forced removal sites, Umkhumbane is iconically remembered for being the most vibrant and diverse community in Durban during a time characterised by separation. Numerous accounts of this community express its richness, injustice, violence, protest, pain and beauty. Most powerfully, the stories of everyday realities: local nicknames, means of getting ‘forbidden liquor’ and friendships across racial lines tell of the strength of people to momentarily live News Watch outside the limits of political machines and the abstract city created by apartheid. eThekwini Municipality identified Cato Manor as an ideal location to develop the uMkhumbane Museum, to preserve the rich cultural and political history and stimulate innovation. It provides the opportunity for contemporary culture and powerful heritage to converge, serving as a tool for social, economic and ecological regeneration. As part of a broader urban strategy, the site seeks to activate and network various cultural nodes within the community of Cato Manor through community involvement, local artists and leaders. The master plan includes the following: • the idea of communal space to connect diverse people through open access to public services, by decentralising cultural nodes; • a cultural park and public square; • galleries for permanent collection on forced removals, focusing on the struggle by women and children and temporary collections; • dedicated space for community exhibitions; • gathering areas for oral, performance, installation exhibits; • social gathering areas for functions, eg. book launches, festivals (film, writers, poetry, dance, music); • concession areas including traders market stalls; • theatre as multipurpose space; • children’s innovative facilities. The urban strategy aims to use technology and public space innovatively to access, network and enhance the culture, serving as a tool for community members to leverage in the co-creation of today’s Umkhumbane Culture. The stories of Umkhumbane in the 1940’s were examples of diversity and community during apartheid. Cato Manor today could provide much needed stories of regeneration and redress in South Africa. www.choromanksi.com 9