Architect and Builder January/February 2016 | Page 56

masculinity of the building, shapes and colours largely refer to elements like men’s suits and semi-industrial materials. Well-placed splashes of rich jewel tones, considered styling and large-scale artworks ensure that the aesthetic feels rich and balanced while bold elements like the impressive three-storey in-situ artwork by well-known street artist, Freddy Sam, provide a tongue-incheek slant. Strategically exposed concrete offset by crisp white and underscored with thin lines of sharp black, form the basis of a thoroughly urban scheme. Expanding the scheme with tonal layers of warm taupe, accented with jewel tones and a hint of metallic elevates it to inner city luxury. With nearly 18 different configurations, each apartment feels individually designed despite the common palette of finishes and furniture types. What started as an awkward space at the bottom of an atrium has been transformed to become a moody & luxurious cocktail bar exclusively for the use of guests. The purple pool table echoes the quirk of the oversized street-art installation that it is set against. Following the opening of the hotel, all the mixed use elements of the building are now functioning cohesively and the tenants, apartment owners and hotel guests are benefiting from the daily interaction and energy created by the diverse spaces within the building. THIS SPREAD: The Capital Mirage 54 The Mirage