Architect and Builder December 2019 | Page 97

and sheets of glass. “The idea was always to redefine luxury and usher in a new language of African design for safari,” says ARRCC director of interior design Mark Rielly. “The result is interiors that are at once uniquely African, yet undeniably modern with natural finishes and sophisticated detailing.” A unique sense of place is carried through in the abundant use of locally sourced natural materials and bespoke designs handmade by local artisans. Organic natural forms are abstracted in the patterns, forms, and rhythms of the interior design. The curvature of the black steel flues of the fireplaces, for example, contrasts artfully with the straight lines of the architecture. Richly textured fabrics, aged leathers, and wood grains have been subtly offset with sleek details in gold, bronze, and black. Many of the furniture pieces were custom designed by ARRCC and OKHA in collaboration with local craftsmen, including Colin Rock, Pierre Cronje and Gerrit Giebel. Once- Cheetah Plains off Pierre Cronje dining tables, each made from a single sheet of leadwood, establish a central feature in each house. Suspended above them, hand-blown glass chandeliers by Martin Doller reflect and refract the natural light from the surrounding bushveld. Each bar has been hand-carved from a single block of Travertine. The walls are adorned with a thoughtfully curated selection of original South African artworks, many specifically commissioned from both established and up-and-coming contemporary local artists. The public sculptures include cheetah by Arend Eloff and wild dogs by Gail Catlin. “The story of the design is a collaborative vision that carefully explores the considered design of every element and their materials to reveal their natural beauty and purest form, shaping elements that are raw and transforming them into objects of luxury,” says Rielly. 97