Archetech Issue 82 2026 | Page 7

ARCHITECTURAL FOCUS
Narrow cracks between structures, filled with sculptural metal and glass, filter daylight to create a minimalist, spiritual interior.
Funded through donations, the irregular flow of contributions determined its design with four independent volumes built in phases, the first two— housing the centre— were completed within two years and have been operational since, while the remaining structures were finished 16 years later as funding allowed.
Inspired by the volcanic landscape, it features massive, rough forms, contrasting with the built surroundings. Narrow cracks between structures, filled with sculptural metal and glass, filter daylight to create a minimalist, spiritual interior.
Daylight is a key architectural element, shaping an introverted, austere space that invites reflection. Without windows, the building is illuminated by the unglazed cross and zenithal light. Throughout the day, the shifting light highlights different areas, guiding users through their interior exploration.
Concrete, chosen for versatility, serves structure, form, texture, and acoustics. Locally produced, inexpensive, durable, and energy-efficient, the thick walls enhance its thermal inertia. Innovatively used for acoustics, chipped concrete mixed with volcanic stones absorbs sound and, alongside smooth or rough exposed concrete, achieves a sophisticated sound control, comparable to an opera house— ideal for spoken word and song.
Professor of Design and Distinguished Service Professor at Harvard University. It included: Laurinda Spear, Founding Principal, Arquitectonica; Ma Yansong, Founder and Principal Partner, MAD Architects, and Sir Peter Cook, Director and architect, Peter Cook Studio Crablab.
World Interior of the Year World Interior of the Year went to FRACTAL CHAPEL by INNOCAD architecture in Graz, Austria.
The FRACTAL CHAPEL, located at a state hospital in Graz and hosted by the Protestant Church, serves as a serene retreat for patients, staff, and visitors. The design is grounded in current neuroscience and environmental psychology research, integrating biophilic elements and fractal patterns to create a peaceful, emotionally resonant space. These elements work together to promote well-being, reduce stress, and foster calm in the demanding hospital environment.
Fractal patterns are central to the chapel’ s design. Developed through a collaboration between designers and scientists at the University of Oregon / Fractals Research, these patterns are inspired by nature’ s geometry and evoke positive psychological, physiological, and neurological responses. The fractal designs were generated using a custom computer programme that combines artistic input with scientific analysis. This unique art-science tool enables
Fernando Menis, Founder of Fernando Menis Architecture, said:“ Winning is a great gift, not only for me but also the church neighbourhood, which will now be recognised beyond Tenerife. Over the last three days in Miami, I have had the opportunity to travel to a new place, connect with friends, and be part of the global architecture community.”
Paul Finch, Programme Director of the World Architecture Festival, commented:“ The judges particularly admired the intensity of the architecture and the way light has been used to shape the quality and character of the interiors, enhancing the tactile nature of the surfaces.
The building manages to masterfully accommodate the symbolic and everyday needs of the community of which the architect is a part. The project has become a fine addition to the architecture of Tenerife.”
The winner was selected by a Super Jury chaired by Mohsen Mostafavi, Alexander and Victoria Wiley
Fractal Chapel at State Hospital Graz by INNOCAD architecture © Paul Ott
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