The predominantly abstract iconography of his paintings, which
sometimes reveals an emergent and assumed figuration, offers
themes of predilection: architecture, sport and nature. These three
axes of creation become the fundamental pillars of a man who has
dedicated his life to erecting comfortable and unifying habitats for
his contemporaries.
An outstanding colorist, the artist invites us into his universe where
volumes and light bear witness to a rich experience of experience
and research on form. Resolutely modern, not to say avant-garde, the
architectural and painted work of Roger Taillibert invites to respect
and meditation. The musicality, the rhythm, the depth and the light
that emanate from his paintings are imbued with a mysticism by the
excessiveness of their formats. Sometimes fragments or parcels of
a continent, the work of Roger Taillibert is and will remain timeless,
because it is universal in its visual and visual language.
The narrativity in his creations is suitable for the viewer who accepts
the proposal that recalls what Marcel Proust says of literature: “In
reality, each reader is, when he reads, the own reader of himself.
The work of a writer is only a kind of optical instrument which he
offers to the reader in order to allow him to discern what without
the book he might not have seen in himself. To abandon oneself in
the profusion of Roger Taillibert’s excessively rich work of sense and
sensations was also, in his greatest sense, the humanism of a great
man who incarnates and renews himself at the same time daily, and
where he invites us.
FROM HIS FIRST CHILD DRAWINGS TO HIS
ARCHITECTURAL PLANS, ROGER TAILLIBERT
HAS PLUNGED INTO FREE CREATIVITY.