Archetech Issue 27 2016 | Page 58

Archetech - Page 58 Beyond contemporizing the façade, the building’s materiality deftly acts as a beacon — important, as the structure is set back from the nearby roads. The row of shimmering columns gleams in the sun, their reflectivity calling to passers-by as well as amplifying and dramatizing the surroundings, such as sunlight, vegetation, and seasonal colours. The qualities of the cladding also echo those of the bell towers of the Église de la Purification-dela-Bienheureuse-Vierge-Marie, the oldest church in the Montreal region. To contrast the metal’s slickness, the three sinuous volumes in the interior are clad in locally sourced wood, which emanates warmth under an array of skylights. The classic-meets-contemporary appearance helps establish a sense of familiarity and the porous circulation allows the public to weave through layers of the building, informally experiencing the art. Visitors can wander along through the newly landscaped forecourt, crossing a slatted wooden promenade that transverses the serenity of the reflecting pool (which doubles as a filter for storm water runoff ). They can walk through the exterior colonnade, which also functions as an open-air exterior gallery, and absorb the creativity of the place without stepping inside the building. Or they can enter the interiors, and explore the galleries of linger in the interior colonnade. Importantly, the centre contributes to the community regardless of the time of day. At night, it acts as a lantern, activating the surrounding park, and making serene reflections