Archetech Issue 22 2016 | Page 84

GREAT BRITISH BRANDS 2016 | ON ART & CULTURE Sladmore Contemporary Curating beautifully honest interpretations of the natural world for 50 years W Archetech - Page 84 hile the Swinging Sixties might be better known for the developments in the music and fashion industries, it also impacted on the thriving art scene. It was in the midst of this cultural revolution that Sladmore Contemporary was established at 32 Bruton Place in 1965. Situated just off Berkeley Square, the gallery has been exhibiting contemporary and modern sculpture for over 50 years. Originally established as a gallery of ‘Animaliers’ sculpture, selling bronze sculpture by well-known sculptors of the 19th and 20th century, they now represent a much wider range of artists, including ceramists, multimedia assemblage artists, stone carvers and medallists. Though they represent a broader range of subjects, it continues to specialises in sculptu re that draws inspiration from the natural world, from Nic Fiddian-Green’s monumental, aged bronze horse heads, popular landmarks the world over, to Mark Coreth’s highly textured animals in action. Their fixation is with the impact of 3D objects and the power of making. Their first floor gallery is a veritable cabinet of wonders, holding a continuous, varied display of work, while the ground floor hosts their regular one-man exhibitions. The stable includes more than 20 contemporary artists including Nick Bibby, Sophie Dickens, Roger Law, Rupert Merton, Kensuke Fujiyoshi and Rose Corcoran. However, for those who are looking for something with a longer ABOVE: The Sladmore Gallery LEFT: Butterfly by Edouard Martinet RIGHT: Upstairs gallery of Sladmore Contemporary 52 | COUNTRYANDTOWNHOUSE.CO.UK /GBB