Apparel December 2019 | Page 67

DESIGNER SPOTLIGHT DESIGN DERIVATIVES After studying fashion design, Gunjan started working at an export house. However, she was not fulfilled by her work as a designer, and found the process “mechanical and increasingly divorced from human experience”. Drawn by the beauty of the textile heritage of Odisha, she decided to set up a base in Bhubaneswar and travel across the state to collaborate with textile artisans and weavers with a view to preserve and revive their traditions. “The move and travel led me to appreciate culture in all its facets as I experienced the collective spirit of the community—the culture, crafts, and people—which created a solid foundation in textile-creation. These weavers became my gurus. As I met weavers and saw their skills, I made a switch from fashion to textiles. It meant de-learning a lot and then picking up new ideas,” says Gunjan. A CAREFUL PROGRESSION Eventually, Gunjan established Vriksh, a design studio in Bhubaneswar, working solely with handloom weavers and artisans, to craft ft textiles with a contemporary aesthetic. She aimed med to achieve this by reinterpreting traditional des designs sig gns in a way that they retained their original value, yet added a fresh perspective to each piece. Since the founding of the studio, Gunjan njan has been researching and travelling extensively, and collaborating with textile artisans and handloom weavers. She has primarily been working with two o traditional textile techniques, namely ikat- at- and jala-weaving. The harmonious meeting ting GUNJAN ESTABLISHED VRIKSH, A DESIGN STUDIO IN BHUBANESWAR, WORKING SOLELY WITH HANDLOOM WEAVERS AND ARTISANS. of the designer’s inputs and artisans’ skills, of tradition and design, has resulted in exquisite textiles that showcase the treasured textile heritage of the state. Whenever possible, Gunjan has been using natural dyes—pink from lac, rust from manjistha (madder), golden-yellow from palash flowers and jackfruit barks, and brown from catechu. Gunjan works with weavers (both women and men) in villages across Odisha. As weaving typically involves many members of the family— with each working on different aspects of the p process including APPAREL I December 2019 I 65