Apparel December 2019 | Page 64

DESIGNER SPOTLIGHT I UNDERSTAND THAT YOU HAVE DEVELOPED ABOUT 70 ODD STYLES FOR THE COLLECTION. HOW MUCH TIME DID IT TAKE AND WHAT WAS THE PROCESS LIKE? For each collection, the entire process—from research to production—takes about a year. The journey of creating Jugni was one filled with excitement, heartaches, anger, joy, relief, and then finally pleasure, when we saw people wear and appreciate what we had created for them. Be it research, design, production or showcase, each step covers an entire spectrum of emotions. YOUR MOST RECENT COLLECTION ‘JUGNI’ ‘JUGN SEEMS TO BE AN ODE TO THE STRONG AND EMPOWERED WOMAN. COULD YOU TELL US A WOM BIT A ABOUT THAT? Empowerment and strength are at Emp the c core of almost all the collections that w we design; it is not only limited to Jugni. It just ta takes various shapes and forms. Empowerment is our primary belief; it is the foundation of our thought process that shines through differently in each collection. 62 I APPAREL I December 2019 HOW DO YOU REFLECT THIS PHILOSOPHY OF EMPOWERMENT IN YOUR DAY-TO-DAY OPERATIONS? I work with a team, a considerable part of which is women. This philosophy seeps into our day-to- day functions in many ways. I have observed that the designing process helps my team to develop self-confidence. I see people change; and thus, I see change in their body language, the way in which they communicate, and the way in which they dress. During the beginning of Shades (of India), we worked with a group of 200 women, who earned their first living wage by learning to embroider; and they took that spirit forward. Another way in which we reflect this philosophy is by offering them autonomy in decision-making, encouraging ideas, and ensuring that we take time out to hear out their opinions and thoughts. I believe that the path to empowerment includes free speech and support; and it has served us well to work with these interesting people, who have significantly helped us in making the organisation what it is today.