Anuario Raza Polo Argentino Anuario2018 | Page 225

available, both through literature and in practice, at the aforementioned Spanish Riding School. And the truth is that not only polo, but also jum- ping; pato; dressage; working with cattle; leisure riding and all other equine activities may benefit equally from the principles that propose a tame horse, that responds to assistance; is gathered together to a certain degree; is flexible; that goes in a straight line; allows permanent contact with its mouth and has the correct balance. Naturally, the horse tamed according to these principles will then require special training and education for whi- chever activity it is to perform, but the foundation is the same for all of them. For example in polo, the taming process must end by being able to mana- ge it with one hand and with a horse that is more stretched out; less flexed than what is expected in a dressage horse. But the foundation is the same for all disciplines. One Common Language Horse and rider should be able to communicate in a common language. And that language is no other than the pressure imparted by the rider and as a result of which the horse must give way in the degree required of it. The rider may exert pressure with the reins both on the horse’s mouth or neck, or with his/her legs, on one side or another; over the billet strap or behind it. He/she may also do so with his/her weight, pla- cing it further forward or further back. The horse should respond to each indication by the rider with the part of its body required to do so: shoulder blades; hind legs; nape of neck; neck; back, with the degree of independence or connec- tion that the action requires. If we don’t have this control over the horse, and this common language after break-in, it is certain that break-in has not been complete and must be continued during the training stage, which idea- lly should be the specialization into the activity of each horse. The Means by which Learning is Achieved Classical break-in emphasizes exercise and re- jects violence as a short cut. Xenophon, in 400 BC maintained that “what is taken by force is never beautiful”. It is through exercise, on the other hand, that the horse goes memorizing the language, and it becomes engraved without fear or distrust of its rider. Every time a horse gives in to pressure, it must be recompensed and that pressure alleviated. And by repeating this sequence, learning is achieved without violence. Additionally, the exercises go preparing the muscles and balance that will allow the horse to carry the added weight of the rider and perform the actions that the rider demands lightly and loosely. Speed in Polo Watching a dressage horse tamed in the classic style, many may think that this method is no use for polo ponies. But this is a hasty conclusion. It is true that a dressage horse is more gathered to- gether, with a firmer mouth contact, and carries out very powerful movements at low speed. The polo pony, on the other hand, goes forward with a very different balance and its permanent mouth contact is much softer in relation to the rider’s hand. But the foundation in the Polo pony’s education is the same as that of a dressage horse, or a horse for jumping, work or leisure. They receive the same help and the same expected answers, but for di- fferent activities and sometimes with completely opposite speeds. That is why the end product may be misleading unless we go back to the basics. Being Able to Choose and to Discard If break-in does not produce a horse that is tame; straight; flexible; that permits mouth contact; that understands and responds with sensitivity to the rider’s pressure; that is fairly gathered together; connected in its different parts; balanced in a way that the rider may be able to handle it easily and lightly, then it is not a good break-in, whatever its origin. And the opposite is equally true. This is why it is enriching to be able to learn and know more about the different taming methods, but it is always necessary to remember classic break-in as the standard; the rod that measures all the rest and so that we are not lost in trendy and novel practices. 223